All posts by A. David

Superheroes Do Hanukkah

Over at the Brooklyn Comic Shop site, owner Joshua H. Stulman shares a few candle-kindling moments from Hanukkah in comics:

In truth it is still rare to find Jewish comic characters in comics and even harder to find mainstream comic stories about Chanukah. Although I must say that both Marvel and D.C. have been pretty good about including a one page Chanukah pin up in their holiday annuals since the 1990’s.

Jack Kirby's family Hanukkah card

This does, tangentially, raise the question whether Batwoman, as portrayed by Ruby Rose on CW crossover shows FlashGreen Arrow, and Supergirl, will be overtly depicted as Jewish on television, too.

Chanukah In Comics!

Discussing the First Muslim Superhero’s Return to Comics

Cover to Volume 1 of KISMET: MAN OF FATEComics scholar and Sacred & Sequential founder A. David Lewis opens up about both the process and the motivation behind his new comic book Kismet, Man of Fate – Volume 1: Boston StrongThe series, which is a modern-day update of the 1940s Muslim superhero, had been delivered in online installments for much of the past year, but it now comes to comic shops in print for the first time this week.

Derek McCaw of Fanboy Planet conducted the new interview with Lewis, who had this to say about Golden Age superheroes like Kismet or the Green Turtle:

[F]or the more liberal-leaning comics creators of the Golden Age, I think there was a fascination with other cultures, even if it was only at the surface level. […] I doubt there was any real thought given to the real-life practitioners or inheritors of this lore, just as I think there was little deference given to Muslims or Asians with Kismet and Green Turtle, respectively. There may be something complimentary in comics creators seeing the potential for this non-Western material to fuel their stories, but it was largely Orientalist and filled with Anglo-centrist presumptuousness.

Lewis teams with artist Noel Tuazon, Rob Croonenborghs, Taylor Esposito of Ghost Glyph Studios, and Kel Nuttal in bringing Kismet back to publication. Publisher A Wave Blue World (AWBW) also secured Heathen‘s Natasha Alterici for the cover art and The Tempest‘s Laila Alawa for the Foreword, with book and logo design by Nicola Black.

It’s Kismet For A. David Lewis

UPDATE: Islamophobic Cartoon Contest Canceled

Caricature of Geert Wilders from http://www.karikaturen-online.nl/en/homepage-en/In June, Sacred and Sequential shared reporting from Reuters that the Freedom Party of the Dutch government had announced a new “free-speech event” centered around creating illustrations of the Islamic Prophet Mohammed. Led by politician Geert Wilders, the contest was to be judged by the 2015 Garland, Texas “Draw Mohammed” contest winner, Bosch Fawstin.

Following a peaceful protest march in Islamabad in late August, reports the Associated Press,  the planned contest has been canceled. Wilders is quoted by The Telegraph as saying, “To avoid the risk of victims of Islamic violence, I have decided to not let the cartoon contest go ahead.” InfoWars deemphasizes the impact of the 10,000-strong peaceful march, focusing instead on a video death threat Wilders received.

Fawstin’s Twitter account remains suspended.

Jews and Comics in Canada this October

Beth Tzedec Comics Event

The Beth Tzedec Congregation in Toronto, Ontario has announced its late October showcase of connections between the comic book industry and the Jewish people. Of particular note is the involvement, along with co-curator Ron Kasman, of Steven Bergson, long-time S&S friend and contributor. Steve runs the Jewish Comics blog and is the force behind The Jewish Comics Anthology.

Details can be found here and admission is free, though reservations are required for opening night, October 23rd.

O Canada!

Teaching Gospel Texts and Mimesis with Superhero Stories

John W. Fadden, Ph.D.[The following entry is written by John Fadden, PhD., an adjunct lecturer across Western New York and frequent contributor to the Society of Biblical Literature. It is presented here with his permission.]

I teach an undergraduate introduction to the New Testament course that is mostly filled with students taking the course to fulfill requirements of the college’s core curriculum. I assume most students do not have a background in the cultural contexts of the writers of the New Testament, nor that most students have any connection to, or have read the New Testament. Yet, I also expect that because the New Testament is the “Bible,” students, including non-Christians, have certain expectations about the Gospels as historical documents that provide accurate portrayals of Jesus’s life. Most of the students have never thought about the literary practices in the cultural context that would have influenced the gospel writers.

In the spring semester, I added a new activity to the course in hopes of pushing students to think about the Gospels as imitating the classical epics by introducing them to Dennis MacDonald’s mimetic theory. While a lot of MacDonald’s scholarship is beyond the undergraduate non-major reading level, his Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2005) provides a popular audience access to his scholarship. Since I assumed that my students have a limited background in the classics (and no knowledge of Greek), I wanted to come up with a way to have them engage with MacDonald’s ideas, but using stories familiar to their own cultural settings from the superhero genre. The initial goal was for students to imitate a superhero scene to create a pericope about Jesus. To add a degree of difficulty (and to fit within the course’s core curriculum requirements) students also had to make it fit into the first century context (so no saving an airplane from crashing). The course also has a public speaking / presentation requirement, so the student’s final creation was delivered in front of their classmates.

JESSICA JONES: "AKA Smile"The activity required multiple engagements with the topic. First, I assigned the students read parts of MacDonald’s book to introduce them to his theory. I also asked students to pick a superhero story from a movie, TV show, or comic book that they could write in a 10-15 verse story (suggesting students think about MacDonald’s work as they chose it). In the next class session, we discussed the reading from MacDonald. I demonstrated how they might imitate their contemporary superhero story when writing a story about Jesus using the concluding scene from Jessica Jones season 1, episode 12 as an example. (I figured it was old enough I wouldn’t be guilty of spoilers, but I discovered few students had watched it; so I might recommend adding a few minutes into the class to show a clip of whatever story you are imitating in your demonstration.) I also showed them how the imitator might leave clues for her audience to be able to recognize the source story (for example, playing with a notable name like Kilgrave could signal to those familiar with Jessica Jones that there was a connection). I gave the students a week to write their imitation of a superhero story as a pericope about Jesus.

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