All posts by Martin Lund

Martin Lund on the Possibilities of “Pantheonic Bricolage”

[The following piece was originally published at MartinLund.me and it is reposted here with the author’s permission.]

The Marvel Universe pantheons

Is It a Thing? “Pantheonic Bricolage.”

If you are at all familiar with my work, you know that I have a particular interest in the intersections between comics and religion. I have spent countless hours studying comics in relation to Judaism and Jewishness, on editing a book about Muslim superheroes (the release of which is so close now I can almost taste it!), and I’m currently drafting a book about the recently deceased evangelical comics propagandist Jack T. Chick (about whom I have written here and here).

In addition to this, I’m also working on a guide to comics and world religions with a couple of fellow scholars of the topic. We have hashed out a rough structure and are working separately on our chapters. In addition to writing about the Abrahamic traditions (Judaism, Christianity, and Islam), I will also be tackling what we have chosen, for now, to call “Archaic Traditions.” (I just might make another “Is it a thing?” post about that label somewhere down the line.)

This means that I am writing about Greco-Roman, Egyptian, and Old Norse religions. And I am loving it to no end. There is so much interesting material to work with here, and I will be sharing thoughts and reviews as things progress.

But for now, I want to bounce a thing off the internet and see what happens.

I want to talk about what I have been calling, for lack of a better term: “pantheonic bricolage.” It sounds complicated, but it really isn’t.

Continue reading Martin Lund on the Possibilities of “Pantheonic Bricolage”

Jack T. Chick dies at 92

According to Chick Publications, their CEO and founder Jack T. Chick died peacefully in his sleep on Sunday night. He was 92. His death is mourned by some, and celebrated by others.

chickrip

Since the news broke, “Jack Chick” has been trending on Twitter. It is not a pretty picture that is being presented. This is in no way surprising. For all but a select few, the man did not have a nice word to spare. And for the rest of us, he offered only glimpses of the hellfire that awaits us.

I should back up a bit, though, on the off chance that anybody visiting this site doesn’t know who Jack Chick was. He was the creator of the famous and notorious “Chick tracts,” small pamphlets containing black and white Evangelical fundamentalist propaganda comics. Chick had been publishing these pamphlets since the early 1960s, and his oeuvre touches on an impressive array of topics, from evolution to Halloween to “false religions” (everything that is not Protestantism, basically) to the end-times to, famously, role-playing games. The basic message was always the same, however: it doesn’t matter how good or bad you have been in your life, you are going to hell unless you accept the brand of Christianity that Chick promoted. You can read most of them here. He also produced comic books and sold literature that promoted his world-view.

The legacy he leaves behind is a strange one.

Continue reading Jack T. Chick dies at 92

Questioning Frank Miller and Superman’s “Jewish Essence”

I have been asked to comment on a short piece that was published yesterday on CBR.com, which I have to agree calls out for a response and fact-check. The piece announced that Frank Miller has said in an New York Comic-Con interview that he wants to “tackle one of the oldest, but oft overlooked, origin stories in the entire industry: Superman’s Jewish heritage.” The article then goes on to make a few questionable claims, many of which I have seen before, in my research on Superman and the so-called “Jewish-comics connection.” This notion holds that Superman, and – depending on who you read – the superhero genre, the US comics industry, or the comics medium itself, were created by Jews and has a sort of “Jewish essence.”

Let us return to the quoted line about Superman’s supposed, but “oft overlooked” origin story and Jewish heritage. It does not take much effort to poke a hole in the claim that this is an overlooked topic. In the past ten years alone, numerous books have been published that have this issue as their central focus: in 2006, Rabbi Simcha Weinstein published Up, Up, and Oy Vey! How Jewish History, Culture, and Values Shaped the Comic Book Superhero; in 2007, comics writer and writing teacher Danny Fingeroth published Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero; in 2008 comedian and journalist Arie Kaplan published From Krakow to Krypton: Jews and Comic Books; and in 2012 masculinity scholar Harry Brod published Superman is Jewish? How Comic Book Superheroes Came to Serve Truth Justice, and the Jewish-American Way. On top of this, there are several other books about Superman or Jews and comics more generally, as well as innumerable newspaper and online articles, in which claims about Superman’s “Jewish origins” are similarly made. Let us also not forget that what Miller proposes has already been done; in 1998, for Superman’s 60th anniversary, DC put out a series of Man of Steel comic books in which the superhero traveled back in time to face the Nazis and in which Siegel and Shuster’s Jewish heritage got a nod.

As entertaining and interesting reading as the books and articles mentioned may provide, they suffer from a lack of support for their arguments, and rely mostly on recycling the same tropes and claims in a sort of internal feedback loop. This has led to a collection of common assumptions about what Superman “is,” based on nothing but the fact that his creators were Jewish. But once you shine a light on these claims, they start to fall apart. I will not go into a more general charting of these books or their claims here – for that, you can check out my forthcoming book on the subject or this post on my old, now-defunct blog – but will focus only on the latest article.

Continue reading Questioning Frank Miller and Superman’s “Jewish Essence”

Review of HOLY F*CKED #1: “Provocation for Provocation’s Sake” [Redux]

HOLY F*CKED #1Earlier this year, I reviewed Nick Marino and Daniel Arruda Massa’s miniseries Holy F*ck. Throughout the run, I consistently found the series to be missing that certain something. The artwork was consistent and the writing delivered several gags that were independently funny without fully meshing with each other. My final verdict was that the series as a whole seemed directionless, almost scattershot. But I also kept wanting more. I find myself in that same situation as fall starts creeping in.

Last week, Marino and Arruda Massa returned with the first issue of Holy F*cked. With that, we are cast once more into the lives of Jesus, Satan, and the nun Maria, who have all found happiness in Los Angeles. Jesus has gotten real big into skateboarding (I am certain that although this hasn’t really been explained, it will eventually play a big role). Jesus and Satan are living together, and pretty early on we find out that the devil is pregnant. For her part, Maria works in a soup kitchen, regaling the homeless with old war stories.

Of course, we know that their bliss can’t last. Anansi, the African spirit that most often takes the form of a spider and is connected with knowledge, overhears the news and reports it to Hercules. Hercules is thirsting for revenge: after Jesus and his cohorts defeated Zeus, Mount Olympus deteriorated from a prosperous, “grand utopian metropolis” to a wasteland. And so, out of rage and jealousy that the man who took away his family is about to start his own, Hercules resolves to murder Jesus Christ. Setting his plan in motion, he goes to Earth and, disguised as Thanatos Kostas (a play on the Greek personification of death and a word meaning roughly “constant”), a newcomer to town who is passionate about charity work, he infiltrates the soup kitchen.

That, more or less, is the story.

Continue reading Review of HOLY F*CKED #1: “Provocation for Provocation’s Sake” [Redux]

Review of HOLY F*CK #4: “…I Still Want to Read It”

HOLY F*CK #3 coverToday  marks the release of the fourth and final part of Nick Marino and Daniel Arruda Massa’s Holy F*ck. The issue brings a high-action conclusion to Jesus, Satan, and the nun Maria’s struggle against Zeus, Isis, and the multi-pantheonic corporation Polydynamis’ attempt to plunge the world into nuclear chaos and feast off the belief they hope this will inspire.

There are three narrative threads running throughout Holy F*ck #4: Jesus’ attempt to stop Polydynamis’ missiles; Satan and Maria’s fighting their way through the diving company board; and Zeus’ attempt to keep his coalition together in the face of this final thrust. This choice of words is not haphazard; without spoiling what seems to be the major gag of the issue, the way Jesus handles the missiles cannot be described in any other way. (Ok, maybe a little spoiler: as a colleague put it, “their title is truth in advertising!”) Meanwhile, his companions blast their way through a small horde of nameless god-grunts before arriving in front of Zeus to effect the series’ final, and somewhat anti-climactic resolution. The whole thing is over too quick, rushing through developments so as to give more room to milk a couple of jokes.

I have reviewed the three previous issues for Sacred and Sequential, and consistently found Holy F*ck to be missing that certain something that would bring me to feel that I’ve really enjoyed it as a whole. The artwork has been consistent and the writing has delivered several independently funny gags that have not fully meshed with each other, making the final product seem directionless, almost scattershot. Still, every issue has managed to keep me wanting to see what happened next. Sadly, I feel that where the series ultimately ends up, with a nod to corny sit-com endings, just isn’t all that satisfying.

Continue reading Review of HOLY F*CK #4: “…I Still Want to Read It”