Category Archives: academic

Martin Lund on the Possibilities of “Pantheonic Bricolage”

[The following piece was originally published at MartinLund.me and it is reposted here with the author’s permission.]

The Marvel Universe pantheons

Is It a Thing? “Pantheonic Bricolage.”

If you are at all familiar with my work, you know that I have a particular interest in the intersections between comics and religion. I have spent countless hours studying comics in relation to Judaism and Jewishness, on editing a book about Muslim superheroes (the release of which is so close now I can almost taste it!), and I’m currently drafting a book about the recently deceased evangelical comics propagandist Jack T. Chick (about whom I have written here and here).

In addition to this, I’m also working on a guide to comics and world religions with a couple of fellow scholars of the topic. We have hashed out a rough structure and are working separately on our chapters. In addition to writing about the Abrahamic traditions (Judaism, Christianity, and Islam), I will also be tackling what we have chosen, for now, to call “Archaic Traditions.” (I just might make another “Is it a thing?” post about that label somewhere down the line.)

This means that I am writing about Greco-Roman, Egyptian, and Old Norse religions. And I am loving it to no end. There is so much interesting material to work with here, and I will be sharing thoughts and reviews as things progress.

But for now, I want to bounce a thing off the internet and see what happens.

I want to talk about what I have been calling, for lack of a better term: “pantheonic bricolage.” It sounds complicated, but it really isn’t.

Continue reading Martin Lund on the Possibilities of “Pantheonic Bricolage”

Review – Arnaudo’s The Myth of the Superhero

MYTH OF THE SUPERHEROMarco Arnaudo, The Myth of the Superhero, Trans. from Italian by Jamie Richards [Il fumetto supereroico: Mito, etica e strategie narrative, 2010], Baltimore: The Johns Hopkins U.P., 2013, 206p. [July7]

Better late than never! This book was published in English four years ago (and in Italian seven years ago), but apparently it fell through the cracks. It is difficult to explain why it received so little attention, with only one book review by Jason Archbold from Macquarie University according to my library research engine. Maybe it is because the back cover blurb does not seem to propose anything new:

“Through a series of close readings of DC and Marvel comics, Marco Arnaudo explores the influence of religion and myth on superhero stories as well as their relationship to the classical epic.”

Situating the superhero phenomenon within mythology and religion has been done in many articles, chapters or entire books (e.g. Campbell’s The Hero with a Thousand Faces,  Knowles’ Our Gods Wear Spandex, Weinstein’s Up, Up, and Oy Vey!, all cited in his book).

However, I just read Arnaudo’s book and found it an excellent short (150 pages for the main text), dense, and clear synthesis with, actually, some original ideas.

Continue reading Review – Arnaudo’s The Myth of the Superhero

The Complicated Theology of a Wonder Woman

WONDER WOMAN
Wonder Woman. Photo by ClaraDon/Flickr

[The following piece was originally published for the Colorado Council of Churches website and it is reposted here with the author’s permission.]

Even before the new movie broke box office records and charmed the world this summer, Wonder Woman was an icon for feminism. She has a set of values in the film that closely approximates the best of theological thinking. That is, the movie hints at some concepts that have been core to the character from her creation—that love and diplomacy are better tools than war in solving the world’s problems and that women should have a role in leadership toward peace. Yes, the film has some well-executed fight scenes, but Diana—the Wonder Woman at the center—is determined to use her skills to defend and help. She refuses to vilify the soldiers and ordinary people participating in the violence of World War I; she remains convinced that human beings can be better than they are.

It’s complicated to use a fictional comic character as an icon for anything—peace, diplomacy, or feminism—because so many people are responsible for creating stories about the same character. Creators rarely agree on a single focus or value for characters in their charge. In this short presentation, which I did last year before the film came out, I wrestle with the way two very different origin stories for Wonder Woman create tensions around the character as an “ideal” woman. Thank you to Ryan Duncan and Cathie Kelsey at Iliff School of Theology for inviting me to share my passion for comics with the gathering for International Women’s Day last year. (I misspeak in the opening line of this video and say Women’s Day is a “year” rather than a day, but it’s just wishful thinking!)

I hope you enjoy learning about a little about the tangle of origin stories and my call to be wonders in the world. Despite the complexities, I’m happy that this character exists to give hope and inspiration to women. In moments when I feel powerless, it’s wonderful to have stories about a woman of such obvious power and love. I’m thrilled that this generation has the 2017 film to give them such a positive picture of the possibilities of this character.

For more, watch this video of Dr. Coody!

Elizabeth Rae Coody, PhD directs the Writing Lab at the Iliff School of Theology in Denver, Colorado.  Her own writing is often about the Bible and comics. As a trained biblical scholar whose PhD is in Religious and Theological Studies with a concentration in Biblical Interpretation, she values the contributions to biblical interpretation that popular culture can make. Her 2015 dissertation project was on the way comics can help interpreters imagine the scandal of Jesus’s death on the Cross that is often domesticated by modern Christian sensibilities. Her work continues and expands themes of how popular culture can give insight into the Bible and how knowledge of the Bible can return the favor.

A. David Lewis Discusses Islam, Comics, Syria, and Flintstones with Boston’s NPR

A. David LewisIn just under a span of 10 minutes, S&S’s own A. David Lewis managed to address a span of issues with “Here & Now” co-host Robin Young on a recent WBUR broadcast. Touching on Ms. Marvel, the upcoming Muslim Superheroes essay collection, Ta-Nehisi Coates’s Black Panther and the Crew, and his own Kismet, Man of Fate, Lewis blitzed Young with a full update of many topics at the intersection of the comic book medium and Islam. And, he vouched for the surprising brilliance of the new Flintsones series, to boot!

Additionally, WBUR provided this video clip of Lewis going into further explanation of his charity work for Syria.

To support this venture, go to their Razoo fundraising page.

The First Muslim Superhero

[With the apparent close of the IslamiCommentary site from the Duke University Islamic Studies Center (DISC), Sacred and Sequential is cataloging a number of their articles pertinent to comics and Islam for continued online access. The following, if altered at all, has been edited only minimally for clarity and/or ]

Kismet Seventy Years Later: Recognizing the First Genuine Muslim Superhero

by A. DAVID LEWIS for ISLAMiCommentary on MARCH 20, 2014: 

Kismet may not be the first Muslim superhero, but he may be the first worthy of that title. Some buffoonish characters preceded him, and other orientalist caricatures appeared on earlier comics pages, but without either superpowers or other key elements of the genre. This month, on the seventieth anniversary of his first appearance, it’s a fitting time to reintroduce and recognize Kismet, “Man of Fate;” the first genuine Muslim superhero.

The superhero as a genre found its first real traction, famously, in the pages of Action Comics #1; the 1938 debut of Superman. Like Kismet, the character of Superman had his antecedents, prior masked men and super-powered protagonists either on comics pages, on radio, or in print pulp novels. But it wasn’t until Superman crystallized the conventions of a) being driven by a quest for justice and defense of the weak; b) demonstrating abilities beyond that of a normal person; and c) having a costume and secret identity; that the superhero genre became clearly recognized.

1944 — six years after Superman — wave upon wave of superhero characters, with varying success, had been pouring into audience’s hands.

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