Category Archives: controversy

Ms. Marvel and the Good Business of Democracy

msmarvel_13_election_5Marvel Comics’ Ms. Marvel #13 not only displays a determined, patriotic Muslim-American superheroine on its cover, but it also dedicates much of its page content to the titular hero pushing a “get out the vote effort.” In a U.S. Presidential election that has featured intolerance widely and Islamophobia specifically, having the Jersey-born Pakistani character campaigning for democratic action feels heartening, coming, even as a does, from a mega-corporation-backed publisher like Marvel.

The comic hits retail stores on November 30th, three weeks after the election.

Ethan Sacks, writing for the New York Daily News, sounds befuddled about this timing:

The timing of “Ms. Marvel” # 13, however, is a little puzzling. By the time the issue hits stores on Nov. 30, the presidential race will (hopefully) have been long decided.

First, Sacks is either naive about the comic book industry or, worse, willfully ignorant: there are any number of reasons to have this issue come out after Tuesday, November 8th. Not the least of these reasons is the very point he embeds parenthetically in his comment, namely that we can only hope Nov. 8th concludes the ugly, vicious election season. Yet, many suspect/fear a even nastier fight than the Bush/Gore debacle of 2000 — and, in that scenario, the release of Ms. Marvel #13 will feel particularly wise, prescient, and rightfully scolding.

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A Superhero against…Goyim?

In September, Tzion Publishing put out the call for all interested parties to submit contact information for their forthcoming Spring 2017 comic book series, Shabbat Man. Featuring “Joshua Polmar, an adult convert to Judaism,” the comic will square him off against “Jerome Goyim is the epitome of evil in the world and he is a slave to his wicked animal soul,” according to Tzion’s website.

Curiously, many of the characters in the dramatis personae are either adult converts to Judaism or struggling with their Jewish identity. Combine that quirk with Tzion’s stating that Shabbat Man “is designed to teach the reader about one or more of the 613 commandments and about Judaism, in general.  The adventures delve into the finer points of Judaism making non-Jews more aware of Jewish traditions.” Do we have the makings here of proselytizing Jewish comic book?

Of course, “Shabbat Man fights for justice on behalf of all people,” despite the questionable name of his arch-nemesis. And, there are product placement opportunities open to one and all…

…particularly in the areas of “lady’s high heeled shoes” and “beverages.”

Jerome Goyim

Questioning Frank Miller and Superman’s “Jewish Essence”

I have been asked to comment on a short piece that was published yesterday on CBR.com, which I have to agree calls out for a response and fact-check. The piece announced that Frank Miller has said in an New York Comic-Con interview that he wants to “tackle one of the oldest, but oft overlooked, origin stories in the entire industry: Superman’s Jewish heritage.” The article then goes on to make a few questionable claims, many of which I have seen before, in my research on Superman and the so-called “Jewish-comics connection.” This notion holds that Superman, and – depending on who you read – the superhero genre, the US comics industry, or the comics medium itself, were created by Jews and has a sort of “Jewish essence.”

Let us return to the quoted line about Superman’s supposed, but “oft overlooked” origin story and Jewish heritage. It does not take much effort to poke a hole in the claim that this is an overlooked topic. In the past ten years alone, numerous books have been published that have this issue as their central focus: in 2006, Rabbi Simcha Weinstein published Up, Up, and Oy Vey! How Jewish History, Culture, and Values Shaped the Comic Book Superhero; in 2007, comics writer and writing teacher Danny Fingeroth published Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero; in 2008 comedian and journalist Arie Kaplan published From Krakow to Krypton: Jews and Comic Books; and in 2012 masculinity scholar Harry Brod published Superman is Jewish? How Comic Book Superheroes Came to Serve Truth Justice, and the Jewish-American Way. On top of this, there are several other books about Superman or Jews and comics more generally, as well as innumerable newspaper and online articles, in which claims about Superman’s “Jewish origins” are similarly made. Let us also not forget that what Miller proposes has already been done; in 1998, for Superman’s 60th anniversary, DC put out a series of Man of Steel comic books in which the superhero traveled back in time to face the Nazis and in which Siegel and Shuster’s Jewish heritage got a nod.

As entertaining and interesting reading as the books and articles mentioned may provide, they suffer from a lack of support for their arguments, and rely mostly on recycling the same tropes and claims in a sort of internal feedback loop. This has led to a collection of common assumptions about what Superman “is,” based on nothing but the fact that his creators were Jewish. But once you shine a light on these claims, they start to fall apart. I will not go into a more general charting of these books or their claims here – for that, you can check out my forthcoming book on the subject or this post on my old, now-defunct blog – but will focus only on the latest article.

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Jordanian Activist Assassinated Before Cartoon Blasphemy Trial

Activists hold a picture of Jordanian writer Nahed Hattar on Wednesday at his funeral [Muhammad Hamed/Reuters]
Activists hold a picture of Jordanian writer Nahed Hattar on Wednesday at his funeral [Muhammad Hamed/Reuters]

The Comic Book Legal Defense Fund (CBLDF) has reported on a story that may otherwise have eluded American media: as Al-Jazeera and The Guardian both reported in late September, Jordanian left-wing writer and activist Nahed Hattar was assassinated while entering a courthouse to face blasphemy charges for a cartoon he posted on Facebook.

In the comic, God is depicted as taking orders from an ISIL agent cozily ensconced with two woman in Paradise. Hattar, part of Jordan’s 4% Christian minority, had intended the cartoon to criticize ISIL’s hypocrisy, but he subsequently deleted the offending piece and offered an apology in the face of Jordanian outrage.

[Full image available below.]

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New Charlie Hebdo Threats, Outrage

Image by Osama Hajjaj (@osamacartoons)

Just two weeks ago, the online English-language French news site The Local reported on a new “series of death threats” aimed at the offices of Charlie Hebdo via their Facebook page. The French satirical magazine made worldwide headlines when nine of its editorial staff were killed in 2015 in a terrorist attack spurred on by their portrayal of the Islamic Prophet Muhammad. Sacred & Sequential explored this event in previous posts.

These latest threats, though, serve not only as reminders of an ongoing peril but also highlight the more recent content from Charlie Hebdo, including the disturbing cartoon of Aylan Kurdi, the drowned Syrian boy, growing up to be a lech (also covered by The Local). Has Charlie Hebdo remained on task and undeterred by their tragedy or, conversely, are they continuing to engage in objectionable, detestable cartooning?

Queen Raina of Jordan had her own response to Charlie Hebdo‘s depiction of Aylan: