Category Archives: online

The Atlantic Questions Amar Chitra Katha

Logo for ACKA search of its archives results in this compelling December 2017 article from The Atlantic on the  potential influence of Amar Chitra Katha (ACK)  on cultural intolerance:

[…S]ince its debut in 1967, ACK has also helped supply impressionable generations of middle-class children a vision of “immortal” Indian identity wedded to prejudiced norms. ACK’s writing and illustrative team led by [Anant] Pai as the primary “storyteller”) constructed a legendary past for India by tying masculinity, Hinduism, fair skin, and high caste to authority, excellence, and virtue. On top of that, his comics often erased non-Hindu subjects from India’s historic and religious fabric. Consequently, ACK reinforced many of the most problematic tenets of Hindu nationalism—tenets that partially drive the platform of India’s ruling Bharatiya Janata Party, currently under fire domestically and internationally for policies and rhetoric targeting religious minorities and lower castes.

Atlantic contributor Shaan Amin also notes the normative beauty standards that ACK tacitly endorses along with class distinctions.

Yet, concludes Amin, the curative here might be as parents discussing the comics with their children and questioning these issues: rather than modify or condemn ACK, a push for early critical reading and inquiry may be the best solution…as could be the case with so many products of popular culture and/or religion.

ReligionProf James F. McGrath Talks with A. David Lewis on Kismet and More

Professor James F. McGrath (aka ReligionProf) sits down with Sacred and Sequential‘s own A. David Lewis to discuss Kismet, Man of Fate from publisher A Wave Blue World. This March 2019 episode of the ReligionProf Podcast also features linkbacks to S&S‘s discussion of the Second Coming debacle and Matthew Brake’s news of the new Religion and Comics series from Claremont Press. It all comes full circle!

ReligionProf Podcast with A. David Lewis

Comics Academe: How To Write a Comics Dissertation

[The following piece was originally published for the Women Write About Comics website, and it is reposted here with the author’s permission.]
Couverture de l'ouvrage de Mathieu Tillet, "Dissertation sur la cause qui corrompt et noircit les grains de blé dans les épis, et sur les moyens de prévenir ces accidens," 1755. Wikimedia Commons.
Out there, somewhere, is a woman who writes about comics who wants to turn that writing to a comics dissertation or thesis, or at least I sure hope there is! The field is wide open and ready for more. For the uninitiated, a dissertation or thesis is the long essay or project that serves as the capstone for most advanced degrees (especially doctoral degrees) in the sciences and humanities. There is some degree of coursework or class-type work in most programs, but this is the project that determines whether or not you earn the degree. The nature and form of these projects has been under debate in recent years, but the actual production of some object that concludes the PhD remains a constant. The internet has worked alongside the fast-moving and collaborative nature of digital scholarship in general to jolt the usually slow-to-change academic establishment. By making wide varieties of information more available to a wider public and expanding the possibilities of collaboration, digital forms of scholarship have disturbed the idea of authority. This idea of authority is what allows some group to grant a degree to someone else. You can see why this sort of debate can be disturbing!

What I’ll talk about most here is writing about comics in a dissertation as opposed to writing a dissertation as a comic. Be warned: the minute you start pairing talk of “comics” and “dissertation” people are going to assume you’re writing a comic. For some of you, this will be a fantastic way to go. If your committee has trouble imagining your dissertation as a comic, you might point out Nick Sousanis’s recently published comics dissertation Unflattening. His process bringing the dissertation into comics form is lovingly documented all over the internet by academics and comics people alike, such as herehere, and here. Such a precedent is wonderful to present to a wary committee. If their hesitation comes from fears that you won’t be taken seriously, it’s nice to have a publication from Harvard University Press to point out. Of course, you should listen to your committee, more on them in a moment.

Continue reading Comics Academe: How To Write a Comics Dissertation

What Do Superheroes Tell Us about Ourselves?

In November, radio station KUOW sat done with both G. Willow Wilson and Reza Aslan to explore the question “What do our superheroes tell us about ourselves?” The conversation, of course, addressed morality and religion, what with Wilson being a Muslim writer perhaps best known for the Muslim superheroine Ms. Marvel and Aslan being a Religion Studies expert.

Aslan pointed out that superheroes have changed a lot since their conception nearly a century ago. The stories are darker. The heroes dwell in gray areas more often. The moral dilemmas are more compelling.

“We have to make these characters interesting by making them reflect the morality the world in which we live,” he said.

Wilson and Aslan said that one thing is clear: Change is constant, as is our resistance to change.

Authors Reza Aslan and G. Willow Wilson. KUOW PHOTO/GIL AEGERTER

The over-thirty-minute conversation covered a range of issues and superhero properties, and it can be heard in full at the KUOW website.

UPDATES: Baron Leaves Alt-Right “Based Stick Man” Comic, Alt★Hero Looms

VOX DAYIn a recent e-mail to Sacred and Sequential founder A. David Lewis, Eisner Award-winning comics creator Mike Baron wrote the following:

I am no longer involved with this project.

Baron was writing in reference to the Based Stick Man Graphic Novel, whose Facebook site, at the time of this writing, still features his name prominently as its writer and has made no further announcement. Sacred and Sequential spoke with Baron in August for his views on the project at that time.

Offering no additional explanation, Baron steps away from this alt-right project both as its Indiegogo fundraising page has disappeared and as provocateur Vox Day’s Alt★Hero series (discussed previously by guest columnist Sean Kleefeld) has apparently raised over ten times its campaign goal on the new “free speech” crowdfunding platform FreeStartr. Whether the BSM project could resurface on FreeStartr is unknown at this time.

As of last month, comics writer Chuck Dixon remains attached to the Alt★Hero volumes. Vox Day (aka Theodore Robert Beale) continues to tweet publicly about the project:

https://twitter.com/voxday/status/914164822119473152

https://twitter.com/voxday/status/914112394749730818