Tag Archives: chick tracts

academic, contributors

The Tangled Relationship Between Religion and Comics

[The following piece was originally published at Women Write About Comics in two parts; and it is reposted here with the author’s permission, for the first time in its entirety.]

My cocktail party introduction of myself is basically, “I’m a religion scholar working on a dissertation that uses a comics to interpret religious text.” Maybe it’s not the smoothest handshake, but it’s a place to start. When I tell people this, I occasionally get quizzical looks from strangers who wonder how comics relate to religion at all. Either that or they are wondering if they are going to need another cocktail before we get into a conversation. The comics/religion relationship is a fantastic tangle that needs to be sorted out when we get into deep discussions. If we talk about religion and comics without sorting this out, we risk all kinds of misunderstandings and hurt feelings, not to mention frustrating cocktail parties.

Religion and comics have been in some sort of relationship for millennia. Stained glass church windows are a familiar Christian example; they tell the stories that are important to the builders of particular churches in different styles. Ancient peoples used comics-type language in cave paintings and Egyptian tombs to express their relationship to the supernatural. Although my own work centers mostly on Christian relationships to comics, I want to stress that there is much more out there to be discovered in comics from all the world’s religions. Comics are a medium that can deliver a particular message where text and images interact to create narrative and emotional results—something that religions of all stripes often strive to do and that comics can do with religious effect.

I conceive of the relationship between comics and religion in four categories: comics as religion, comics in religion, religion in comics, and religion and comics in dialogue. In this month’s installation, I’ll give you the first two categories (comics AS religion and comics IN religion), but be sure to follow along for the exciting conclusion soon. These categories are modeled on the four relationships between religion and popular culture more broadly as outlined in by Bruce David Forbes in his introduction to this great popular culture book with Jeffrey Mahan. They are solid tools for tackling a very messy relationship.

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articles and essays, contributors, events

Jack T. Chick dies at 92

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According to Chick Publications, their CEO and founder Jack T. Chick died peacefully in his sleep on Sunday night. He was 92. His death is mourned by some, and celebrated by others.

chickrip

Since the news broke, “Jack Chick” has been trending on Twitter. It is not a pretty picture that is being presented. This is in no way surprising. For all but a select few, the man did not have a nice word to spare. And for the rest of us, he offered only glimpses of the hellfire that awaits us.

I should back up a bit, though, on the off chance that anybody visiting this site doesn’t know who Jack Chick was. He was the creator of the famous and notorious “Chick tracts,” small pamphlets containing black and white Evangelical fundamentalist propaganda comics. Chick had been publishing these pamphlets since the early 1960s, and his oeuvre touches on an impressive array of topics, from evolution to Halloween to “false religions” (everything that is not Protestantism, basically) to the end-times to, famously, role-playing games. The basic message was always the same, however: it doesn’t matter how good or bad you have been in your life, you are going to hell unless you accept the brand of Christianity that Chick promoted. You can read most of them here. He also produced comic books and sold literature that promoted his world-view.

The legacy he leaves behind is a strange one.

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academic, articles and essays, cultural, reviews

Rao Reads the Blogs

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The blogosphere frequently has a great deal to offer on comics & religion. Here’s a taste of what’s currently being covered at some other notable sites:

The Comic Book Bin‘s “Religion and Comics” section has two new offerings from two of their contributing voices. First, Hevre St-Louis examines the 14 Stations of the Cross as sequential art: “My point in arguing this simple premise about the 14 stations and comic art is of course to show how omnipresent and an important part of world culture the comic book is.” Then, Andy Frisk remains with Christianity as he looks at the character of Thor, naturally tied to pagan Nordic religions, as a “warrior Christ,” specifically highlighting the God of Thunder’s portrayal by Mark Millar in Ultimates 2 as the epitome of this vision.

The Apocalypse Plan

ComicAttack.net‘s “Comics Are My Religion” offers insights from Jeff Jackson, this month focusing on (mis)portayals of Revelation in comics. Fortunately, one new book, The Apocalypse Plan by Rafael Nieves and Dan Dougherty, seems to get it right, at least in a creative manner. “Nieves’s book is not a literal retelling of Revelation, although it does wrestle with the literal sensibilities that most interpreters give it.”

Steve Bergson’s Jewish Comics blog provides an extensive and impressive account of the 2011 San Diego Comic-Con (SDCC) from a Hebraic perspective. Bergson delivers details not only on the panels that relate to Judaism but also on high-profile creators with backgrounds or works pertaining to the faith.

Finally, Faith in Four Colors both gives its Swedish recommendation of Graven Images: Religion in Comic Books and Graphic Novels (also covered by Jackson last month) and puts out a call for people’s personal experiences with Chick Tracts. Information on how to respond is available at the blog site.