Rao has seen this on the Comics Scholars List, the UPenn CFP site, and the H-Net site, but here it is from organizer A. David Lewis’s own blog:
Call for Papers: On the Scholarship of Religion and Comic Books
Popular Culture Association / American Culture Association
April 11-14, 2012
Boston, MA
Area: Religion & Culture, Comics & Comic Art (joint session)
Moderator: A. David Lewis (Boston University)
Overview: The last half-dozen years have seen an explosion in U.S. publications addressing the intersection of religion and comics, but little has been said on the body of work taken as a whole. Outside of individual reviews, rarely are these works discussed in terms of their applications, their intertextuality, their audiences, their shortcomings, or the new questions they raise. This panel is to act as a forum addressing either portions of these works, entire books, their shared space, or the next steps to which they may all lead. In addition to the print publications recommended below, this panel also invites reflections on some of the websites and blogs conducting similar work, also listed:
Books: Superheroes: Religion and Popular Culture (2005), Up, Up, and Oy Vey (2006), Our Gods Wear Spandex (2007), Superheroes and Gods: A Comparative Study from Babylonia to Batman (2007), Disguised as Clark Kent (2007), Holy Superheroes! Revised and Expanded Edition (2008), From Krakow to Krypton: Jews and Comic Books (2008), The Jewish Graphic Novel: Critical Approaches (2008), Jews and American Comics (2008), India’s Immortal Comic Books: Gods, Kings, and Other Heroes (2009), Graven Images: Religion in Comic Books and Graphic Novels (2010), Supergods (2011), The Seven Spiritual Laws of the Superhero (2011), Do the Gods Wear Capes? (2011)
Online: ComicAttack.net “Comics Are My Religion” columns, ComicBookBin.com “Religion and Comics” columns, By Rao! Religion and Religion site, Jewish Comicsblog, Faith in Four Colors site
Other English-language, U.S. market pieces of scholarship may be considered, but the focus should remain on already-produced analysis, not on works-in-progress nor on the comics themselves. Submissions should be thoughtful reflections on how these pieces function, what opportunities they present, where they may fail, and what has been overlooked.
Abstracts of 100-250 words, a C.V., and brief bio are due by December 1 to ADL at bu dot edu for consideration.
Additional titles for consideration might include Jeffrey John Kripal’s Authors of the Impossible: The Paranormal and the Sacred or interviews by The Gnostic with Alan Moore, perhaps.
Over at Women Write About Comics, two of S&S’s founding members, Elizabeth Coody and Chiristine Hoff Kraemer, engaged in a marvelous discussion about Kraemer’s role in the 2010 Graven Images: Religion in Comic Books and Graphic Novels and her subsequent work. Their interview lauds not only Carla Speed McNeil, the groundbreaking comic creator behind Finder, but also Jill Lapore’s work on the originator of Wonder Woman, William Moulton Marston.His Wonder Woman stories from the 1940s demonstrate distinctively different values, including a commitment to nonviolence. After his death, later writers took the character apart, until by the early 1960s Wonder Woman had been demoted to Secretary of the Justice League and would stay behind while the male superheroes left on missions. Wonder Woman has had a few interesting rewrites since then, some more sophisticated than others, but I don’t think she’s ever been as revolutionary a character as she was in those early days.
