Tag Archives: islam

Sacred & Sequential Report from the San Diego Comic-Con, Part 2

As she did with its opening day, special correspondent Samantha Langsdale continued to report from the 2017 International Comic-Con San Diego (aka the San Diego Comic-Con or SDCC).

In addition to her own presentation at the Comic Arts Conference (CAC), Samantha relayed intriguing notes on another presenter, Kerry Fine, and her analysis of Arigon Starr’s Super Indian:

Kerry Fine of Arizona State University

A panel from Arigon Starr's SUPER INDIANOk, annoyingly, Travis Langley’s name tag got left on the podium, but this is Kerry Fine from Arizona State University, She’s discussing Arigon Starr’s comic Super Indian, which, through allusions, humor, and hyperbole, challenges normative assumptions about Native American spirituality and culture.

It challenges assumptions about native being “magical” and, instead, shows the normal, everyday experiences of Native Americans whilst always being critical of colonial representations of natives.

In fact, Starr herself was invited up as a special guest.

Arigon Starr

When asked about any relevant buzz concerning the Eisner Awards, Samantha reported

haven’t heard much chat to that effect. I’ve been mildly annoyed to find nothing about Islam. We’re going back to the Small Press section today [Sunday] to rummage around, so I’ll see if I can find some indie. But overwhelmingly nothing and no panels!

She noted some Ms. Marvel cosplay but scarce else notably Islamic. Christianity, on the other hand, was well represented:

Jesus cosplay by @TheJesusHChrist Samantha also noted that the IDW panel mentioned “plans to publish a comic about Antar” and that, along with the cosplay, Ms. Marvel was a frequently mentioned character, “a fav on almost every panel I went to about diversity/women.” (She was unable to attend the “Spiritual Themes in Comics” panel hosted by the Christian Comic Arts Society, however, where panelists ” examine[d] how spiritual themes influence the entertainment industry and how the reality of spiritual beliefs affects the culture’s perception of spiritual influences. )

Sacred and Sequential once again wants to thank Samantha for her time and notes — as always, so much to see at SDCC!

A. David Lewis Discusses Islam, Comics, Syria, and Flintstones with Boston’s NPR

A. David LewisIn just under a span of 10 minutes, S&S’s own A. David Lewis managed to address a span of issues with “Here & Now” co-host Robin Young on a recent WBUR broadcast. Touching on Ms. Marvel, the upcoming Muslim Superheroes essay collection, Ta-Nehisi Coates’s Black Panther and the Crew, and his own Kismet, Man of Fate, Lewis blitzed Young with a full update of many topics at the intersection of the comic book medium and Islam. And, he vouched for the surprising brilliance of the new Flintsones series, to boot!

Additionally, WBUR provided this video clip of Lewis going into further explanation of his charity work for Syria.

To support this venture, go to their Razoo fundraising page.

The First Muslim Superhero

[With the apparent close of the IslamiCommentary site from the Duke University Islamic Studies Center (DISC), Sacred and Sequential is cataloging a number of their articles pertinent to comics and Islam for continued online access. The following, if altered at all, has been edited only minimally for clarity and/or ]

Kismet Seventy Years Later: Recognizing the First Genuine Muslim Superhero

by A. DAVID LEWIS for ISLAMiCommentary on MARCH 20, 2014: 

Kismet may not be the first Muslim superhero, but he may be the first worthy of that title. Some buffoonish characters preceded him, and other orientalist caricatures appeared on earlier comics pages, but without either superpowers or other key elements of the genre. This month, on the seventieth anniversary of his first appearance, it’s a fitting time to reintroduce and recognize Kismet, “Man of Fate;” the first genuine Muslim superhero.

The superhero as a genre found its first real traction, famously, in the pages of Action Comics #1; the 1938 debut of Superman. Like Kismet, the character of Superman had his antecedents, prior masked men and super-powered protagonists either on comics pages, on radio, or in print pulp novels. But it wasn’t until Superman crystallized the conventions of a) being driven by a quest for justice and defense of the weak; b) demonstrating abilities beyond that of a normal person; and c) having a costume and secret identity; that the superhero genre became clearly recognized.

1944 — six years after Superman — wave upon wave of superhero characters, with varying success, had been pouring into audience’s hands.

Continue reading The First Muslim Superhero

Muslim Heroines (and Their Comics Fans), Assemble!

(The following article by Madison Mahida Lynn originally appeared at Muslim Girl in May of 2016. It is republished here, slightly edited,  with her permission.)

Welcome to the Golden Age of Muslim Women in Comics

MONET ST. CROIX, AKA MThis is a good time to be a nerd. Marvel’s superheroic epics have taken over the box office, and most importantly comics have become cool again. Or, maybe they have? It depends on who you ask. If you’re asking us, then yes, comics are DEFINITELY COOL.

Unlike the seemingly monochromatic nature of heroes in Marvel’s cinematic oeuvre (we love the MCU but let’s be real, the leads of their films tend to feature a strong diversity of white men named Chris), the comic universe is a multifaceted medium with diverse voices leading the way. At the center of this movement is a group of badass Muslim girls–scientists, doctors, high school students, superpowerful mutants, and more–leading the way.

We could go through a dozen articles talking about the different Muslim girl characters making waves in the medium, but for now I will detail the biggest movers & shakers in comicdom. This is the team that defines today’s era as The Golden Age of Muslim women in comics.

So, let’s meet the team!

THE NAVIGATOR:

Fatima
The Midas Flesh, Writer Ryan North, Artists Shelli Paroline & Branden Lamb

fat dap coop 2

This current era of “Muslim girl Comic Heroism” didn’t begin with that geeky Pakistani teenager from Jersey City, as most would assume. A few months before Marvel released Ms. Marvel #1, indie publisher Boom! Studios released their first title on a new imprint. The Midas Flesh is a sci-fi adventure with a familiar story: A small rogue band of resistance fighters seek a powerful weapon to put an end to oppressive imperial powers. That is where the familiarity ends. The Midas Flesh stays true to the standards of its genre, but turn conventions on its head over and over. The eight-issue run features talking dinosaur scientists, Greek gods, and a deep mythology encapsulated in a richly creative universe.
Continue reading Muslim Heroines (and Their Comics Fans), Assemble!

Didactic or Dynamic? Superheroes from the Middle East

(The following article by Fredrik Strömberg was originally posted on the Mizan Project website. It is copied here with permission.)

Superheroes from the Middle East: Adaptation of the Genre?

A selection of comic books published by AK Comics and Teshkeel.
A selection of comic books published by AK Comics and Teshkeel, including The 99 (photo credit: Fredrik Strömberg).

This is the third essay published here on Mizan Pop in our Muslim Superheroes series. The first and second installments in the series can be read here and here.


America has been exporting superhero comics for more than seven decades; nevertheless, there have been few commercially successful comics created in that genre in the rest of the world. Given that there have been several violent conflicts between the United States and Arab or Muslim-majority nations over the last few decades, it is intriguing that attempts at establishing a line of original superhero comics were made in the Middle East in the first decade of the twenty-first century by two different publishing houses: AK Comics in Egypt and Teshkeel Media Group in Kuwait.

Continue reading Didactic or Dynamic? Superheroes from the Middle East