Offering no additional explanation, Baron steps away from this alt-right project both as its Indiegogo fundraising page has disappeared and as provocateur Vox Day’s Alt★Hero series (discussed previously by guest columnist Sean Kleefeld) has apparently raised over ten times its campaign goal on the new “free speech” crowdfunding platform FreeStartr. Whether the BSM project could resurface on FreeStartr is unknown at this time.
As of last month, comics writer Chuck Dixon remains attached to the Alt★Hero volumes. Vox Day (aka Theodore Robert Beale) continues to tweet publicly about the project:
[The following piece was originally published at KleedfeldOnComics.com and it is reposted here with the author’s permission.]
On Business: Dixon on Alt-Hero
A couple of weeks back, Vox Day launched a crowd-funding campaign for his brand new comic called Alt-Hero which Day describes as “A new alternative comic series intended to challenge and eventually replace the SJW-converged comics of DC and Marvel.” It garnered a bit of news because Day is a right-wing petty asshole who’s an active racist. He led the 2015 and 2016 “rabid puppies” campaigns to deny any people of color from the Hugo Awards, mostly out of spite for not actually winning an award himself in 2014. He later described his actions as, “I wanted to leave a big smoking hole where the Hugo Awards were. All this has ever been is a giant Fuck You—one massive gesture of contempt.”
Now first off, it’s absolutely laughable that he thinks he can replace Marvel and DC. Politics aside, Marvel and DC have each been making superhero comics for the better part of a century; they do superhero comics very, very well. No one in the past fifty years has come close to even touching their sales on superhero comics. They’re not invulnerable, certainly, but any and every problem they have had and will have is of their own making, not because of a competitor. If someone else is able to usurp their place as premier superhero comic publisher, it will be because they got out of publishing comics.
Second, “SJW-converged comics of DC and Marvel”? What the hell is that supposed to mean? Seriously, no definition of “converged” makes sense in this context. If that’s the level of writing he’s bringing to Alt-Hero, Marvel and DC have nothing to be worried about. Hell, anyone making mini-comics out of their parents’ basement has nothing to be worried about. If I had to guess, I suppose he’s trying to say that Marvel and DC have been taken over by social justice warriors and that they have been pushing a decidedly leftist agenda. Which clearly is not the case if you actually look at any of their books. But Day is doing what he does — whipping up conspiracies to make it look like white men are being oppressed. Because his mediocre work isn’t celebrated enough.
OK, all of that is old news. I only mention it to make sure you’re up to speed on who this asswipe is. (And why I’m not linking to any of it!)
[EDITOR’S NOTE: Any links have been provided by Sacred and Sequential.]
(The following article by Fredrik Strömberg was originally posted on the Mizan Project website. It is copied here with permission.)
Superheroes from the Middle East: Adaptation of the Genre?
This is the third essay published here on Mizan Pop in our Muslim Superheroes series. The first and second installments in the series can be read here and here.
America has been exporting superhero comics for more than seven decades; nevertheless, there have been few commercially successful comics created in that genre in the rest of the world. Given that there have been several violent conflicts between the United States and Arab or Muslim-majority nations over the last few decades, it is intriguing that attempts at establishing a line of original superhero comics were made in the Middle East in the first decade of the twenty-first century by two different publishing houses: AK Comics in Egypt and Teshkeel Media Group in Kuwait.
Marvel Comics’ Ms. Marvel #13 not only displays a determined, patriotic Muslim-American superheroine on its cover, but it also dedicates much of its page content to the titular hero pushing a “get out the vote effort.” In a U.S. Presidential election that has featured intolerance widely and Islamophobia specifically, having the Jersey-born Pakistani character campaigning for democratic action feels heartening, coming, even as a does, from a mega-corporation-backed publisher like Marvel.
The comic hits retail stores on November 30th, three weeks after the election.
The timing of “Ms. Marvel” # 13, however, is a little puzzling. By the time the issue hits stores on Nov. 30, the presidential race will (hopefully) have been long decided.
First, Sacks is either naive about the comic book industry or, worse, willfully ignorant: there are any number of reasons to have this issue come out after Tuesday, November 8th. Not the least of these reasons is the very point he embeds parenthetically in his comment, namely that we can only hope Nov. 8th concludes the ugly, vicious election season. Yet, many suspect/fear a even nastier fight than the Bush/Gore debacle of 2000 — and, in that scenario, the release of Ms. Marvel #13 will feel particularly wise, prescient, and rightfully scolding.
According to Chick Publications, their CEO and founder Jack T. Chick died peacefully in his sleep on Sunday night. He was 92. His death is mourned by some, and celebrated by others.
Since the news broke, “Jack Chick” has been trending on Twitter. It is not a pretty picture that is being presented. This is in no way surprising. For all but a select few, the man did not have a nice word to spare. And for the rest of us, he offered only glimpses of the hellfire that awaits us.
I should back up a bit, though, on the off chance that anybody visiting this site doesn’t know who Jack Chick was. He was the creator of the famous and notorious “Chick tracts,” small pamphlets containing black and white Evangelical fundamentalist propaganda comics. Chick had been publishing these pamphlets since the early 1960s, and his oeuvre touches on an impressive array of topics, from evolution to Halloween to “false religions” (everything that is not Protestantism, basically) to the end-times to, famously, role-playing games. The basic message was always the same, however: it doesn’t matter how good or bad you have been in your life, you are going to hell unless you accept the brand of Christianity that Chick promoted. You can read most of them here. He also produced comic books and sold literature that promoted his world-view.