The Institute for the Palestine Studies’ blog Palestine Square recently featured coverage by writer Khelil Bouarrouj entitled, “The Role of Comics in the Palestinian Narrative.” In it, Bouarrouj considers the impact of works including Joe Sacco’s Palestine, Leila Abdelrazaq‘s Bawaddi, Harvey Pekar and JT Waldman’s Not the Israel My Parents Promised Me, and Palestinian-American Marguerite Dabaie‘s Hookah Girl, among others.
Read more here.
Beginning Tuesday, October 15th, the Philadelphia Museum of Jewish Art (along with the Jewish Art Salon) will be featuring a new exhibit: JOMIX – Jewish Comics: Art & Derivation. The show promises a showcase “of cutting-edge creators, reinvestigating traditional genres like superhero, political satire, romance, horror, science fiction and confessionals through a Jewish lens.”
Guest speakers are scheduled to include Joel Silverstein, Richard McBee, and Aimee Rubensteen, Exhibit Curators from the Jewish Art Salon. Introductions will be provided by Yona Verwer, President of the Jewish Art Salon, and Participating Artists include
Shay Charka, Howard Chaykin, Leela Corman, Jessica Deutsch, Aliza Donath, Dorit Jordan Dotan, Josh Edelglass, Zev Engelmayer, Liana Finck, Stuart Immonen, Miriam Katin, Scott Koblish, Michael Korosty, Yonah Lavery, Miriam Libicki, Sarah Lightman, Rutu Modan, Archie Rand, Ariel Schrag, Liat Shalom, Dov Smiley, Joshua Stulman, Arthur Szyk, Deborah Ugoretz, Eli Valley, Julian Voloj, JT Waldman, David Wander, Al Wiesner, Jack Kirby, Joel Silverstein, and Ephraim Wuensch.
A catalogue for the exhibit will be available in September.
In honor of looking back upon a New Year, Rao wants to call out a writing by Richard De Angelis in June 2011 entitled, “Old Shul Justice.” In it, he looks again at the role(s) of Judaism in the rise and continuation of the U.S. comics medium, particularly through the lens of tikkun olam, “healing the world.”
Additionally, it includes a hugely useful bibliography of texts on Jews and comics (current as of 2011), both done in the comics form and as scholarly prose. De Angelis kindly includes a sample of Fred Van Lente and Ryan Dunlavey’s Comic Book Comics to help initiate the uncertain (as well as to Van Lente and Dunlavey’s wonderful Bad Twin Comics work!).