Tag Archives: Mark Millar

academic, contributors

The Tangled Relationship Between Religion and Comics

[The following piece was originally published at Women Write About Comics in two parts; and it is reposted here with the author’s permission, for the first time in its entirety.]

My cocktail party introduction of myself is basically, “I’m a religion scholar working on a dissertation that uses a comics to interpret religious text.” Maybe it’s not the smoothest handshake, but it’s a place to start. When I tell people this, I occasionally get quizzical looks from strangers who wonder how comics relate to religion at all. Either that or they are wondering if they are going to need another cocktail before we get into a conversation. The comics/religion relationship is a fantastic tangle that needs to be sorted out when we get into deep discussions. If we talk about religion and comics without sorting this out, we risk all kinds of misunderstandings and hurt feelings, not to mention frustrating cocktail parties.

Religion and comics have been in some sort of relationship for millennia. Stained glass church windows are a familiar Christian example; they tell the stories that are important to the builders of particular churches in different styles. Ancient peoples used comics-type language in cave paintings and Egyptian tombs to express their relationship to the supernatural. Although my own work centers mostly on Christian relationships to comics, I want to stress that there is much more out there to be discovered in comics from all the world’s religions. Comics are a medium that can deliver a particular message where text and images interact to create narrative and emotional results—something that religions of all stripes often strive to do and that comics can do with religious effect.

I conceive of the relationship between comics and religion in four categories: comics as religion, comics in religion, religion in comics, and religion and comics in dialogue. In this month’s installation, I’ll give you the first two categories (comics AS religion and comics IN religion), but be sure to follow along for the exciting conclusion soon. These categories are modeled on the four relationships between religion and popular culture more broadly as outlined in by Bruce David Forbes in his introduction to this great popular culture book with Jeffrey Mahan. They are solid tools for tackling a very messy relationship.

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academic, contributors, online

Comics Alternative Podcast Features Roundtable Discussion on Religion and Comics

Religion-PanelistsOn Monday, the Comics Alternative podcast hosted a “special roundtable” discussion featuring S&S’s own A. David Lewis, Elizabeth Coody, and Jeff Brackett on the subject of religion and comics. One-half of the show’s “2 Guys with PhDs,” Derek Royal, led the animated conversation, spanning all manner of engaging topics:

The subjects that come up during the discussion range from superheroes and myths, manifestations of the afterlife, adaptations of religious texts, biographies of religious leaders, expressions of heaven and hell, the crossroads of faith and ethnicity, and parodic (even heretical) representations of religious figures, doctrines, and practices.

At times on the panel the discussants clash or come at books from different angles — for example, Jeff and David disagree on the usefulness of Craig Thompson’s Habibi and Derek pushes back on the “religiousness” of such comics as Maus, A Contract with God, and Persepolis — but the talk is always lively and insightful. Among the many texts they reference are Neil Gaiman’s Sandman series, Mike Carey’s Lucifer, Justin Green’s Binky Brown Meets the Holy Virgin Mary, Robert Crumb’s The Book of Genesis Illustrated, Sean Murphy’s Punk Rock Jesus, Mark Waid’s Kingdom Come, Mark Millar’s American Jesus, and Craig Thompson’s Blankets. They even discuss comics as religious propaganda, such as what you’ll find in the Spire comics published by Archie during the 1970s and the ever-present Chick tracts.

A panel from Spire Comics’s Christian-themed ARCHIE.

As Royal noted, there was plenty more to be said, so, based on their audience’s response, a follow-up discussion could well be in the works!

Listen to the episode either on the Comics Alternative website, downloaded to your personal device, or via iTunes.

articles and essays, from the Internet

Millar (vs. Morrison’s) Christian Use for Swamp Thing

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In their ongoing analysis of comic book writer Mark Millar’s body of superhero works, Sequart recently featured a piece written by Colin Smith on Millar’s Christian undertones for the Swamp Thing series, as compared to his collaborator Grant Morrison’s more universalist streak. Read here.

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academic, articles and essays, cultural, reviews

Rao Reads the Blogs

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The blogosphere frequently has a great deal to offer on comics & religion. Here’s a taste of what’s currently being covered at some other notable sites:

The Comic Book Bin‘s “Religion and Comics” section has two new offerings from two of their contributing voices. First, Hevre St-Louis examines the 14 Stations of the Cross as sequential art: “My point in arguing this simple premise about the 14 stations and comic art is of course to show how omnipresent and an important part of world culture the comic book is.” Then, Andy Frisk remains with Christianity as he looks at the character of Thor, naturally tied to pagan Nordic religions, as a “warrior Christ,” specifically highlighting the God of Thunder’s portrayal by Mark Millar in Ultimates 2 as the epitome of this vision.

The Apocalypse Plan

ComicAttack.net‘s “Comics Are My Religion” offers insights from Jeff Jackson, this month focusing on (mis)portayals of Revelation in comics. Fortunately, one new book, The Apocalypse Plan by Rafael Nieves and Dan Dougherty, seems to get it right, at least in a creative manner. “Nieves’s book is not a literal retelling of Revelation, although it does wrestle with the literal sensibilities that most interpreters give it.”

Steve Bergson’s Jewish Comics blog provides an extensive and impressive account of the 2011 San Diego Comic-Con (SDCC) from a Hebraic perspective. Bergson delivers details not only on the panels that relate to Judaism but also on high-profile creators with backgrounds or works pertaining to the faith.

Finally, Faith in Four Colors both gives its Swedish recommendation of Graven Images: Religion in Comic Books and Graphic Novels (also covered by Jackson last month) and puts out a call for people’s personal experiences with Chick Tracts. Information on how to respond is available at the blog site.