Tag Archives: sequart

articles and essays, from the Internet

“This is the Avengers, not the God Squad!” (Sequart.org)

(The following article by Mario Ribeiro first appeared at Sequart.org on 5/5/2016 as “They Were Lost in Space-Time and Then They Found God.” It is presented here with his permission.)

Written by Steve Englehart and drawn by Al Milgrom, the Lost in Space-Time saga ran from West Coast Avengers #17 to 24. The real meat is between 18-23, with the others serving as a prologue and an epilogue. Now, before we go any further, keep in mind that this was published in 1987. For modern readers, mainstream superhero comics from the eighties, with very few exceptions (Moore, Miller, Morrison) are old-fashioned and childish with terrible writing (exclamation points, thought balloons, tons of exposition, obvious plots, unrealistic dialogue) and crude, ugly, lazy art. Vanilla heroes fighting cardboard villains, with no depth or subtlety. They are silly, I get it, that’s exactly how we felt back in the eighties about Silver Age comics and that’s how readers in 2046 will feel about today’s comics. But, whenever they come from, if we accept them on their terms we can often find incredible beauty in execution and ideas.

Accepting them on their own terms doesn’t mean accepting them unconditionally. Lost in Space-Time has many flaws, and I won’t enumerate them all. Suffice to say that the first issue (17) is pretty bad, even for its time. The text clashes with the art more than once, one of the villains is Cactus (“he causes fear in every other living thing”) and the main plot is basically filling till the last three pages, when the real story actually begins.

But, before we move forward, we must provide some context. The West Coast Avengers, lovingly called Whackos, consisted of newlyweds Hawkeye (the group’s chairman) and Mockingbird, plus Iron Man, Tigra and Wonder Man. Hank Pym, looking for redemption after the Trial of Yellowjacket storyline, didn’t join the team, but lived in the compound in civilian capacity, doing scientific research and some house-keeping. The Thing and Espirita (then still called Firebird) were candidates for the sixth slot, but neither joined the team.

What is missing from the first 16 issues is the big concept. It is a good read, but the fights against uneventful villains like Ultron, Master Pandemonium and Graviton are not that exciting. Still, Englehart and Milgrom do wonders with their characters, particularly Wonder Man, Tigra and Hank Pym. Wonder Man finds the confidence to be a real hero when he overcomes his fear of death; Tigra finds confidence and a tail as her personalities are merged and she regains control of herself; and Hank sees no other choice but to kill himself. And then it’s time for the big concept.

Continue reading “This is the Avengers, not the God Squad!” (Sequart.org) →

from the Internet, reviews

Review – The Goddamned #3: The Mark of Cain (Sequart.org)

(The following article by Ian Dawe first appeared at Sequart.org on 4/7/2016. It is presented here with his permission.)

THE GODDAMNED #3Jason Aaron’s The Goddamned is best described as a cross between the Bible and Mad Max, with all the brutality and wit that implies. But somehow it goes so far into the depths of inhumanity that it crosses over into being funny, and even joyful. There’s the spirit of a dare about the whole book, as if the creators are just pushing their imaginations as far as they can be pushed, well beyond the realm of bad taste. For example , an early scene in issue #3 features a flashback to just after Adam and Eve are expelled from the Garden of Eden, and Eve spits out the charming line, “Fuck you. The snake was more man than you are, you dickless coward.” Adam, serene and buff, simply cradles Cain in his hands and points out that the whole world is his for the taking. And what a world it is.

Continue reading Review – The Goddamned #3: The Mark of Cain (Sequart.org) →

contributors, interviews

The Martian Chronicles of Julian Darius, Part III

MARTIN COMICS #5In this third and final installment of our discussion with Martian Comics creator and Sequart Organization founder Julian Darius, we discuss characters’ vs. readers’ vs. believers’ perspectives on Jesus and Paul, as well as the future of his series and any relationship it might have to real-world religions dealing with extraterrestrials.

S&S: I wonder: Of all the stories in this issue, “What Has Athens to Do with Jerusalem?” features the titular Martians the least, perhaps only in reference to the Athenians “Unknown god […] a placeholder the Athenians use, knowing their knowledge of the gods to be limited.” Do readers know from “Ezekiel” (and “The Galilean” and “Lazarus”) what it is the Athenians don’t, namely that aliens have had an influence in the spiritual affairs of humankind? Is this the manner of answer that Lazarus is seeking?

JD: I love that you saw a connection between the Unknown God and the Martians. That’s not my own primary reading, but it’s there. It follows, once you connect this story with “Ezekiel” — the Martians are, in a sense, an unknown god to the Greeks. And you’re right that they don’t know about Martians, any more than the ancient Jews did. There are other Martian stories to come that kind of play with this same sort of thing, in which humans sort of realize there are forces or divinities out there, beyond their ability to understand. So that’s definitely there, and you’re smart to pick up on it, but to me, that’s a layer, rather than the primary meaning.

Paul cites the “Unknown God” in Acts. There’s a historical dispute as to whether it really existed or not, or to what extent. Was there a temple to the Unknown God? Was there a statue or monument? From what I’ve read, some think yes, some think no. If I remember correctly, Paul only mentions an inscription to the Unknown God, and there’s some ambiguity about what he’s referring to. But it’s a wonderful concept, this polytheistic statement of humility. I suppose you could see it as a parody of polytheism — “We hope we didn’t leave anyone out!” And it is that. But it’s also this wonderful admission, by the smartest city around, that yeah, we don’t know anything. Here’s a monument to that idea. Wow.

I was always fascinated by the Unknown God. As a kid, I thought it was funny that Paul said he was going to tell people about it, because this frames his god in the context of Greek polytheism. Saying that, you’re essentially saying that you’re going to add a god to the Greek pantheon. You can’t say this and then preach monotheism, really. It’s at least very disingenuous. It wasn’t until studying Greek history in college that I began really appreciating the humility of the concept and how it fit into the Greek philosophical outlook. So I love the Unknown God concept and this story from Acts, and I included it on that basis. It illustrates more the difference between Paul’s arrogant “you’re ignorant!” preaching and the nuances of Athenian philosophy.

But yeah, you’re totally right: you can look at the Unknown God and think, “Yeah, they don’t know about the Martians, who played the role of God to Ezekiel.” And who were behind Jesus in the series. Continue reading The Martian Chronicles of Julian Darius, Part III →

academic, articles and essays, contributors, reviews

Sequart Reviews A. David Lewis’s New Book: “particularly timely”

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Sequart logoSequart‘s Karra Shimabukuro was given early access to the new book by A. David Lewis, American Comics, Literary Theory, and Religion: The Superhero Afterlife. Due out in November from Palgrave Macmillan, Shimabukuro detailed what readers can expect from the forthcoming book on superheroes, the afterlife, and audiences’ notions of personal selfhood.

As more and more people question the purpose and definition of self in the modern world, Lewis’ work is particularly timely.

Shimabukuro particularly noted the incorporation of theorists Benedict Anderson and Jeffery Burton Russell as personal attractions to the text. The book, she says, will be of interest to readers intrigued by the “argument for multiple selfhoods, and how this relates not only to how we view characters (in relation to reboots, revisions, and retcons), but also how we understand characters through the ever growing intertextual connections such as movies, cartoons, fan fiction, etc.”

Read more here.

articles and essays, from the Internet

Millar (vs. Morrison’s) Christian Use for Swamp Thing

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In their ongoing analysis of comic book writer Mark Millar’s body of superhero works, Sequart recently featured a piece written by Colin Smith on Millar’s Christian undertones for the Swamp Thing series, as compared to his collaborator Grant Morrison’s more universalist streak. Read here.

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