Tag Archives: superheroes

interviews, online

What Do Superheroes Tell Us about Ourselves?

In November, radio station KUOW sat done with both G. Willow Wilson and Reza Aslan to explore the question “What do our superheroes tell us about ourselves?” The conversation, of course, addressed morality and religion, what with Wilson being a Muslim writer perhaps best known for the Muslim superheroine Ms. Marvel and Aslan being a Religion Studies expert.

Aslan pointed out that superheroes have changed a lot since their conception nearly a century ago. The stories are darker. The heroes dwell in gray areas more often. The moral dilemmas are more compelling.

“We have to make these characters interesting by making them reflect the morality the world in which we live,” he said.

Wilson and Aslan said that one thing is clear: Change is constant, as is our resistance to change.

Authors Reza Aslan and G. Willow Wilson. KUOW PHOTO/GIL AEGERTER

The over-thirty-minute conversation covered a range of issues and superhero properties, and it can be heard in full at the KUOW website.

academic, events, podcast

Responses to MUSLIM SUPERHEROES, Live at AAR 2017 – 002 Sacred & Sequential Audio

 

On Saturday, November 18, 2017, the American Academy of Religion annual conference hosted the panel “Responses to Muslim Superheroes,” including presentations by Elizabeth Coody, Mohamed Hassan, Constance Kassor, and Aaron Ricker, with Scott Gardner as presider and A. David Lewis as respondent. Here are their presentations in their entirety from that morning session.

AAR 2017 in Boston, Nov. 18-21

AAR 2017 - Responses to Muslim Superheroes

Uncategorized

Kleefeld Questions Chuck Dixon on Racism, Islamophobia, Antisemitism, etc. of White Nationalist ALT-HERO

Sean Kleefeld
Sean Kleefeld

[The following piece was originally published at KleedfeldOnComics.com and it is reposted here with the author’s permission.]

On Business: Dixon on Alt-Hero

A couple of weeks back, Vox Day launched a crowd-funding campaign for his brand new comic called Alt-Hero which Day describes as “A new alternative comic series intended to challenge and eventually replace the SJW-converged comics of DC and Marvel.” It garnered a bit of news because Day is a right-wing petty asshole who’s an active racist. He led the 2015 and 2016 “rabid puppies” campaigns to deny any people of color from the Hugo Awards, mostly out of spite for not actually winning an award himself in 2014. He later described his actions as, “I wanted to leave a big smoking hole where the Hugo Awards were. All this has ever been is a giant Fuck You—one massive gesture of contempt.”

Now first off, it’s absolutely laughable that he thinks he can replace Marvel and DC. Politics aside, Marvel and DC have each been making superhero comics for the better part of a century; they do superhero comics very, very well. No one in the past fifty years has come close to even touching their sales on superhero comics. They’re not invulnerable, certainly, but any and every problem they have had and will have is of their own making, not because of a competitor. If someone else is able to usurp their place as premier superhero comic publisher, it will be because they got out of publishing comics.

Second, “SJW-converged comics of DC and Marvel”? What the hell is that supposed to mean? Seriously, no definition of “converged” makes sense in this context. If that’s the level of writing he’s bringing to Alt-Hero, Marvel and DC have nothing to be worried about. Hell, anyone making mini-comics out of their parents’ basement has nothing to be worried about. If I had to guess, I suppose he’s trying to say that Marvel and DC have been taken over by social justice warriors and that they have been pushing a decidedly leftist agenda. Which clearly is not the case if you actually look at any of their books. But Day is doing what he does — whipping up conspiracies to make it look like white men are being oppressed. Because his mediocre work isn’t celebrated enough.

OK, all of that is old news. I only mention it to make sure you’re up to speed on who this asswipe is. (And why I’m not linking to any of it!)

[EDITOR’S NOTE: Any links have been provided by Sacred and Sequential.]

Continue reading Kleefeld Questions Chuck Dixon on Racism, Islamophobia, Antisemitism, etc. of White Nationalist ALT-HERO →

academic, contributors

The Tangled Relationship Between Religion and Comics

[The following piece was originally published at Women Write About Comics in two parts; and it is reposted here with the author’s permission, for the first time in its entirety.]

My cocktail party introduction of myself is basically, “I’m a religion scholar working on a dissertation that uses a comics to interpret religious text.” Maybe it’s not the smoothest handshake, but it’s a place to start. When I tell people this, I occasionally get quizzical looks from strangers who wonder how comics relate to religion at all. Either that or they are wondering if they are going to need another cocktail before we get into a conversation. The comics/religion relationship is a fantastic tangle that needs to be sorted out when we get into deep discussions. If we talk about religion and comics without sorting this out, we risk all kinds of misunderstandings and hurt feelings, not to mention frustrating cocktail parties.

Religion and comics have been in some sort of relationship for millennia. Stained glass church windows are a familiar Christian example; they tell the stories that are important to the builders of particular churches in different styles. Ancient peoples used comics-type language in cave paintings and Egyptian tombs to express their relationship to the supernatural. Although my own work centers mostly on Christian relationships to comics, I want to stress that there is much more out there to be discovered in comics from all the world’s religions. Comics are a medium that can deliver a particular message where text and images interact to create narrative and emotional results—something that religions of all stripes often strive to do and that comics can do with religious effect.

I conceive of the relationship between comics and religion in four categories: comics as religion, comics in religion, religion in comics, and religion and comics in dialogue. In this month’s installation, I’ll give you the first two categories (comics AS religion and comics IN religion), but be sure to follow along for the exciting conclusion soon. These categories are modeled on the four relationships between religion and popular culture more broadly as outlined in by Bruce David Forbes in his introduction to this great popular culture book with Jeffrey Mahan. They are solid tools for tackling a very messy relationship.

Continue reading The Tangled Relationship Between Religion and Comics →

contributors, cultural, events

Sacred & Sequential Report from the San Diego Comic-Con, Part 2

As she did with its opening day, special correspondent Samantha Langsdale continued to report from the 2017 International Comic-Con San Diego (aka the San Diego Comic-Con or SDCC).

In addition to her own presentation at the Comic Arts Conference (CAC), Samantha relayed intriguing notes on another presenter, Kerry Fine, and her analysis of Arigon Starr’s Super Indian:

Kerry Fine of Arizona State University

A panel from Arigon Starr's SUPER INDIANOk, annoyingly, Travis Langley’s name tag got left on the podium, but this is Kerry Fine from Arizona State University, She’s discussing Arigon Starr’s comic Super Indian, which, through allusions, humor, and hyperbole, challenges normative assumptions about Native American spirituality and culture.

It challenges assumptions about native being “magical” and, instead, shows the normal, everyday experiences of Native Americans whilst always being critical of colonial representations of natives.

In fact, Starr herself was invited up as a special guest.

Arigon Starr

When asked about any relevant buzz concerning the Eisner Awards, Samantha reported

haven’t heard much chat to that effect. I’ve been mildly annoyed to find nothing about Islam. We’re going back to the Small Press section today [Sunday] to rummage around, so I’ll see if I can find some indie. But overwhelmingly nothing and no panels!

She noted some Ms. Marvel cosplay but scarce else notably Islamic. Christianity, on the other hand, was well represented:

Jesus cosplay by @TheJesusHChrist Samantha also noted that the IDW panel mentioned “plans to publish a comic about Antar” and that, along with the cosplay, Ms. Marvel was a frequently mentioned character, “a fav on almost every panel I went to about diversity/women.” (She was unable to attend the “Spiritual Themes in Comics” panel hosted by the Christian Comic Arts Society, however, where panelists ” examine[d] how spiritual themes influence the entertainment industry and how the reality of spiritual beliefs affects the culture’s perception of spiritual influences. )

Sacred and Sequential once again wants to thank Samantha for her time and notes — as always, so much to see at SDCC!