Tag Archives: superheroes

Didactic or Dynamic? Superheroes from the Middle East

(The following article by Fredrik Strömberg was originally posted on the Mizan Project website. It is copied here with permission.)

Superheroes from the Middle East: Adaptation of the Genre?

A selection of comic books published by AK Comics and Teshkeel.
A selection of comic books published by AK Comics and Teshkeel, including The 99 (photo credit: Fredrik Strömberg).

This is the third essay published here on Mizan Pop in our Muslim Superheroes series. The first and second installments in the series can be read here and here.


America has been exporting superhero comics for more than seven decades; nevertheless, there have been few commercially successful comics created in that genre in the rest of the world. Given that there have been several violent conflicts between the United States and Arab or Muslim-majority nations over the last few decades, it is intriguing that attempts at establishing a line of original superhero comics were made in the Middle East in the first decade of the twenty-first century by two different publishing houses: AK Comics in Egypt and Teshkeel Media Group in Kuwait.

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UPDATE: Ms. Marvel and the Good Business of Democracy

Before U.S. Election Day 2016, Sacred and Sequential posted a critique of the coverage provided by The New York Daily News‘s Ethan Sacks of the forthcoming Ms. Marvel #13.

Good to his word, Mr. Sacks did provide several comments via private Direct Message on Twitter. And, in the spirit of open dialogue, I republish the majority of them here:

Continue reading UPDATE: Ms. Marvel and the Good Business of Democracy

Ms. Marvel and the Good Business of Democracy

msmarvel_13_election_5Marvel Comics’ Ms. Marvel #13 not only displays a determined, patriotic Muslim-American superheroine on its cover, but it also dedicates much of its page content to the titular hero pushing a “get out the vote effort.” In a U.S. Presidential election that has featured intolerance widely and Islamophobia specifically, having the Jersey-born Pakistani character campaigning for democratic action feels heartening, coming, even as a does, from a mega-corporation-backed publisher like Marvel.

The comic hits retail stores on November 30th, three weeks after the election.

Ethan Sacks, writing for the New York Daily News, sounds befuddled about this timing:

The timing of “Ms. Marvel” # 13, however, is a little puzzling. By the time the issue hits stores on Nov. 30, the presidential race will (hopefully) have been long decided.

First, Sacks is either naive about the comic book industry or, worse, willfully ignorant: there are any number of reasons to have this issue come out after Tuesday, November 8th. Not the least of these reasons is the very point he embeds parenthetically in his comment, namely that we can only hope Nov. 8th concludes the ugly, vicious election season. Yet, many suspect/fear a even nastier fight than the Bush/Gore debacle of 2000 — and, in that scenario, the release of Ms. Marvel #13 will feel particularly wise, prescient, and rightfully scolding.

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A Superhero against…Goyim?

In September, Tzion Publishing put out the call for all interested parties to submit contact information for their forthcoming Spring 2017 comic book series, Shabbat Man. Featuring “Joshua Polmar, an adult convert to Judaism,” the comic will square him off against “Jerome Goyim is the epitome of evil in the world and he is a slave to his wicked animal soul,” according to Tzion’s website.

Curiously, many of the characters in the dramatis personae are either adult converts to Judaism or struggling with their Jewish identity. Combine that quirk with Tzion’s stating that Shabbat Man “is designed to teach the reader about one or more of the 613 commandments and about Judaism, in general.  The adventures delve into the finer points of Judaism making non-Jews more aware of Jewish traditions.” Do we have the makings here of proselytizing Jewish comic book?

Of course, “Shabbat Man fights for justice on behalf of all people,” despite the questionable name of his arch-nemesis. And, there are product placement opportunities open to one and all…

…particularly in the areas of “lady’s high heeled shoes” and “beverages.”

Jerome Goyim

Questioning Frank Miller and Superman’s “Jewish Essence”

I have been asked to comment on a short piece that was published yesterday on CBR.com, which I have to agree calls out for a response and fact-check. The piece announced that Frank Miller has said in an New York Comic-Con interview that he wants to “tackle one of the oldest, but oft overlooked, origin stories in the entire industry: Superman’s Jewish heritage.” The article then goes on to make a few questionable claims, many of which I have seen before, in my research on Superman and the so-called “Jewish-comics connection.” This notion holds that Superman, and – depending on who you read – the superhero genre, the US comics industry, or the comics medium itself, were created by Jews and has a sort of “Jewish essence.”

Let us return to the quoted line about Superman’s supposed, but “oft overlooked” origin story and Jewish heritage. It does not take much effort to poke a hole in the claim that this is an overlooked topic. In the past ten years alone, numerous books have been published that have this issue as their central focus: in 2006, Rabbi Simcha Weinstein published Up, Up, and Oy Vey! How Jewish History, Culture, and Values Shaped the Comic Book Superhero; in 2007, comics writer and writing teacher Danny Fingeroth published Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero; in 2008 comedian and journalist Arie Kaplan published From Krakow to Krypton: Jews and Comic Books; and in 2012 masculinity scholar Harry Brod published Superman is Jewish? How Comic Book Superheroes Came to Serve Truth Justice, and the Jewish-American Way. On top of this, there are several other books about Superman or Jews and comics more generally, as well as innumerable newspaper and online articles, in which claims about Superman’s “Jewish origins” are similarly made. Let us also not forget that what Miller proposes has already been done; in 1998, for Superman’s 60th anniversary, DC put out a series of Man of Steel comic books in which the superhero traveled back in time to face the Nazis and in which Siegel and Shuster’s Jewish heritage got a nod.

As entertaining and interesting reading as the books and articles mentioned may provide, they suffer from a lack of support for their arguments, and rely mostly on recycling the same tropes and claims in a sort of internal feedback loop. This has led to a collection of common assumptions about what Superman “is,” based on nothing but the fact that his creators were Jewish. But once you shine a light on these claims, they start to fall apart. I will not go into a more general charting of these books or their claims here – for that, you can check out my forthcoming book on the subject or this post on my old, now-defunct blog – but will focus only on the latest article.

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