Category Archives: articles and essays

The 99, Captain Israel, Habibi, Holy Terror, and More…

It has been a positively massive few weeks in the topic of Religion & Comics, particularly in terms of Islam and Western culture, and a bevvy of links and stories bear highlighting, even en mass. In no particular order:

Gene Luen Yang on Comics and Christianity

Cover for American Born Chinese by Gene Luen YangA portion of American Born Chinese author Gene Luen Yang’s mediation on why comics and Christianity don’t — but likely should — mix can be found at the Sojourners blog site. (The full writing requires a membership and login to Sojourners.) In the piece, he’s reminded of how the local comics shop disturbed his mother’s sensibilities yet should have, in his view, been a natural ally to the Christian faith:

She didn’t know it at the time, but my mother had just played out in microcosm the long, antagonistic relationship between Christianity and comics. Since its inception in 1933, the modern comic book has drawn the ire of preachers, priests, and parents. Committees and associations have been formed on both sides of the struggle.

This animosity is curious, especially since Christianity and comic books have a lot in common. Christianity was established by a small band of poor Jewish men who loved stories. Almost 2,000 years ago, Peter, James, John, and their peers in the neighborhoods of Galilee gathered around a wonder-worker who taught by telling stories. From this community grew the largest religion on earth.

Yang recently released his latest graphic novel Level Up about his adolescence and young adulthood as an Asian American, also printed by American Born Chinese publisher First Second. For a separate discussion with Yang about Christian themes in that earlier book (and whether or not they replaced originally Buddhist content), see this interview with the Kartika Review.

Superheroes in Stained Glass and on Liturgy

Andrew Tripp, a contributor to Graven Images: Religion in Comic Books and Graphic Novels, has written an essay for STHConnect (STH = School of Theology at Boston University) on how superheroes and their film adventures may reflect upon liturgy. Preaching to the choir, as it were, of those involved in Christian liturgical practice, he posits, “The structure of the cinema and the imaginative world of the superhero film offer tools for new understandings of liturgy in your congregation. […] The community participates in stories we uplift as sacred in the past through scripture and in the present through witness and testimony.” Best yet, he’s responding to readers’ comments on the piece, so have a read and lend him some thoughts.

Meanwhile, if superheroes aren’t informing the church’s preacher, they may be decorating the church: io9‘s Lauren Davis featured the artwork of Brandon Michael Barker who has been reimagining classic superhero comics covers as stained glass windows “dressed up with a touch of Christian iconography.” Rao has included Spider-Man from Amazing Fantasy #15 below, but follow the link to see more!

Brandon Michael Barker's stained glass superheroes
Brandon Michael Barker's stained glass Amazing Fantasy #15

Rao Reads the Blogs

The blogosphere frequently has a great deal to offer on comics & religion. Here’s a taste of what’s currently being covered at some other notable sites:

The Comic Book Bin‘s “Religion and Comics” section has two new offerings from two of their contributing voices. First, Hevre St-Louis examines the 14 Stations of the Cross as sequential art: “My point in arguing this simple premise about the 14 stations and comic art is of course to show how omnipresent and an important part of world culture the comic book is.” Then, Andy Frisk remains with Christianity as he looks at the character of Thor, naturally tied to pagan Nordic religions, as a “warrior Christ,” specifically highlighting the God of Thunder’s portrayal by Mark Millar in Ultimates 2 as the epitome of this vision.

The Apocalypse Plan

ComicAttack.net‘s “Comics Are My Religion” offers insights from Jeff Jackson, this month focusing on (mis)portayals of Revelation in comics. Fortunately, one new book, The Apocalypse Plan by Rafael Nieves and Dan Dougherty, seems to get it right, at least in a creative manner. “Nieves’s book is not a literal retelling of Revelation, although it does wrestle with the literal sensibilities that most interpreters give it.”

Steve Bergson’s Jewish Comics blog provides an extensive and impressive account of the 2011 San Diego Comic-Con (SDCC) from a Hebraic perspective. Bergson delivers details not only on the panels that relate to Judaism but also on high-profile creators with backgrounds or works pertaining to the faith.

Finally, Faith in Four Colors both gives its Swedish recommendation of Graven Images: Religion in Comic Books and Graphic Novels (also covered by Jackson last month) and puts out a call for people’s personal experiences with Chick Tracts. Information on how to respond is available at the blog site.

Muslim Superheroes

Recent weeks have produced a bevy of commotion regarding Muslim superheroes, to whit:

In May, A. David Lewis was interviewed by WBUR’s  “Here and Now” host Robin Young about the depiction of Muslim protagonists in superhero comics, particularly in the wake of Osama Bin Laden’s assassination. Lewis had recently given a talk on the subject at Harvard University as part of a one-day event about Muslim identities in comics. That, in turn, seems to have led to an article by BU Today report Rich Barlow focusing on Lewis and his interest in characters like Dust, Nightrunner, the Janissary, the Arabian Knight, and others.

What is clear is that Muslims on the comics pages confront the conundrum of their flesh-and-blood counterparts: their community views them with suspicion. Lewis says non-Muslim heroes wonder, “Can they truly represent the American way? Could they really be on our side? When Dust joins the X-Men, these persecuted American mutants don’t really know if they can trust her. The comic book creators can have it both ways. They can present an altruistic Muslim hero, but also reflect the Islamophobia.”

The BU Today article was accompanied by a slideshow of such characters set to music:

Barlow’s article was picked up by Madinat Al-MuslimeenProfessor Hussein Rashid’s Islamicate.com, and The Houston Chronicle‘s “Believe It Or Not” column, among others. It also received comment of an altogether different sort from Avi Green of The Infidel Bloggers Aliance and The Astute Bloggers:

Wow! So in Lewis’s narrow vision, the Copts of Egypt aren’t victimized, nor are the French, the Israelis, the Sudanese Christians, or even the Armenians during WW1, when the Islamic-led Ottoman Empire of Turkey slaughtered at least a million Armenians. Nor, I suppose, was Lara Logan when she was gang raped in Egypt back in February. What a most utter ignoramus. I guess he hasn’t ever read the Koran either.

Green suggests The 99 as one example of Muslim superheroes Lewis may have been trying to sidestep: “Lewis chose to put his head in the sand.” Meanwhile, that series was being featured elsewhere online, as part of The National‘s coverage of DC Comics’ recent publishing shift. Shot in February, the video focuses on The 99‘s creator Dr. Naif Al-Mutawa discussing the multi-national and inter-religious basis for the series in addition to its Islamic roots.

Superman #712
New cover but old solicitation.

Coincidentally, DC’s position on Muslim characters was challenged in a different way this month with the resolicitation of Superman #712. ComicBookResources.com reports that the issue was originally supposed to feature Superman teaming up with the Muslim hero Sharif (formerly Sinbad), but it had been replaced with a story of Krypto the Super-dog. ComicBook.com notes that “the change was apparently so last minute by DC Comics that the DC Comics website still shows the old content description for Superman #712 with the new Krytpo the Superdog cover image for Superman #712.” ComicBookMovie.com has opened a poll to ask readers whether the decision was a wise move or not.

Lastly, in separate but not unrelated news, PR Newswire announced the new series Buraaq from Split Moon Arts. The title character is “a practicing Muslim, a regular guy who is turned into a superhero by traumatic events in his youth.  According to SplitMoonArts, the mission is not to preach, but to provide wholesome family entertainment. The underlying message, they say, would help foster better relations between the West and the Islamic World.” Whether this is, as the PR Newswire headline reports, the first Muslim superhero is doubtful, but that claim does not seem to originate with SplitMoonArts itself.