Category Archives: events

Jewish Women’s Confessional Comics Wins Eisner Award

Last Friday at the San Diego Comic Con International, the winners of the 2015 Eisner Awards were announced. We at Sacred & Sequential would like to offer our congratulations to editor Sarah Lightman who took home the Eisner Award for “Best Scholarly/Academic Work” with her book Graphic Details: Jewish Women’s Confessional Comics in Essays and Interviews, published by McFarland. It’s a treat to see academics at the intersection of comics and religion take home such a prestigious industry award for their scholarship. We look forward to following such achievements as scholars delve ever further into the worlds of Jewish culture, of autobiographical comics, and of the women who make them.

On behalf of Sacred & Sequential, we wish the contributors to Graphic Details all the best and, again: Congratulations!

CFP – Sacred Texts and Comics: Religion, Faith, and Graphic Narratives

(NOTE: The following announcement can be found in full here.)

Sacred Texts and Comics: Religion, Faith, and Graphic Narratives
Edited by Ken Koltun-Fromm and Assaf Gamzou
Proposed volume for the “Critical Approaches to Comics Artists” series, University Press of Mississippi
In addition: Symposium on “Sacred Texts and Comics” at Haverford College, May 5th and 6th, 2016 (workshops for contributors to this proposed volume are included)

The last decade has produced critical and expressive studies in sacred canonical texts and comics. Witness, for example, the artistic works from R. Crumb’s The Book of Genesis (2009) and JT Waldman’s Megillat Esther (2005), as well as scholarly publications from Karline McLain’s India’s Immortal Comic Books (2009), A. David Lewis’s edited volume Graven Images: Religion in Comic Books & Graphic Novels (2010), and Samantha Baskind’s and Ranen Omer-Sherman’s editorial work for The Jewish Graphic Novel: Critical Approaches (2010).

Sacred Texts and Comics: Religion, Faith, and Graphic Narratives is a proposed volume for the “Critical Approaches to Comics Artists” series at the University Press of Mississippi that builds upon, but also beyond, Western or “major” religious traditions to develop a broader landscape of religious graphic mediums. We encourage submissions that engage Islamic, Jewish, Christian, Hindu, Buddhist, Native American, African Diaspora traditions, or other religious communities from a variety of disciplinary or cross-disciplinary perspectives. Such critical approaches may include studies in religion, literature, theology, art history, culture, anthropology, political science, or other disciplines that work with the multi-dimensional features of graphic narratives.

Topics may include, but are not limited to:

  • Depictions of the sacred in comics.
  • The place of historical exegesis and critical, religious interpretation in graphic narratives.
  • Comics as a form and method of interpretation.
  • The ways in which the graphic, formal features engage notions of the sacred.
  • The modes by which graphic narratives represent the sacred or conceptions of religion.
  • The ways in which religious identity and belief are represented and explored in graphic mediums.
  • The multiple ways that visual culture informs religious practice.

Please send a 500-1000 word abstract, CV, and contact information to Ken Koltun-Fromm (kkoltunf@haverford.edu) and Assaf Gamzou (assaf@cartoon.org.il) by August 21, 2015.

Haverford College will host a symposium on “Sacred Texts and Comics” on May 5th and 6th, 2016 that will include workshops for contributors to this proposed volume. Please indicate your interest in and availability to participate in the symposium (all expenses will be paid, including a small stipend).

VCU’s Library Exhibit: Comics & “Religious Imagination in Popular Culture”

Virginia Commonwealth University is featuring a new gallery exhibition entitled, “Gods and Prophets, Sages and Saints: Religious Imagination in Popular Culture.” Their James Branch Cabell Library Special Collections feature a variety of comics works that,

while the temptation is to assume that religious expression in popular media must be kitsch–or at least bad art–and probably bad theology, a closer look reveals a more complex reality. While many examples of those stereotypes exist, there are also examples of deep spirituality and fine storytelling resulting in works of great power and beauty.

No reviews of the exhibit have been made known yet to Sacred and Sequential, however:

Religion and Comics at Regional AAR, Rocky Mountain/Great Plains

The Rocky Mountain/Great Plains Regional AAR/SBL/ASOR annual meeting features a panel of Sacred and Sequential colleagues discussing “Comics as an Act of Discovery in the Study of Religion.” Panelists include Dan Clanton (Doane College), Terry Clark (Georgetown College), and Elizabeth Coody (University of Denver/Iliff School of Theology). The discussion will be moderated by Leonard Greenspoon of Creighton University.

Rocky Mountain-Great Plains Region of the American Academy of Religion

Elizabeth will also be moderating “Christian Popular Culture” during the second full day of the conference as well. Find the full program listing here.

Asher J. Klassen Discusses Comics, Semiotics, and Islam – Draws Superhero Afterlife

One of S&S’s founding members Asher J. Klassen gave the following lecture this week at Durham University’s Theology and Religion Department.

In this lecture I tackle first and foremost the matter of censorship, both in the lecture hall and as it pertains to depictions of Muhammad in modern media. I look at the prophet in animation and then in comics, before moving on to discuss some of the visual functions of the comics medium and connecting visual abstraction as presented by McCloud to identity as defined by religious symbols. After a brief comparison of the idea of bodily representation in Christianity and Islam I close with some thoughts on the human drive as meaning-making, cultural animals and the role of censorship as we create our history.

(The audio for the recording is a little quiet, so turn up your speakers if need be; it begins around 1:30.)

Klassen also collaborated with another S&S founding member, A. David Lewis, on an eight-page comics version of Lewis’s book American Comics, Literary Theory, and Religion: The Superhero Afterlife as “The Superhero Afterlife (Abridged)” for the Sacred Matters web magazine of public scholarship.

The Superhero Afterlife (Abridged) - page 1
Opening page from “The Superhero Afterlife (Abridged)” at Sacred Matters. Words by A. David Lewis, Art by Asher J. Klassen.

Read the full comic here.