Category Archives: online

Sacré & Séquentiel: The New, French-Language “Sacred and Sequential”

Since its launch, Sacred & Sequential has been exclusively an English-language site for the scholarly consideration of religion and comics. Now, with the new year here, S&S is expanding into French-language coverage as well, thanks to the skills of our own Etienne Domingue.
Founding Member A. David Lewis spoke with Etienne about the launch of Sacré & Séquentiel:
A. David Lewis: What makes Sacré & Séquentiel necessary? I mean, why not just shoot the old posts through Google Translate?

Etienne DomingueEtienne Domingue: Whereas automated translation has made great strides in recent years, human languages remain somewhat beyond the grasp of machine intelligence. Errors in automated translation abound: computers are notoriously bad at translating idioms, and they don’t typically have much of an ear for tone or subtext. I suspect this has contributed to comics writers’ exceedingly poor handling of foreign languages — I am frequently shocked by how some anglophone writers assume that word-for-word translation is “good enough,” as though all of syntax and grammar operates in roughly the same way. It does not. Even culturally-sensitive writers make this mistake: G. Willow Wilson’s Air is magnificent, but its French is awful.

I’m sure it’s only a matter of time before human translators — along with all humans, really — are obsolete, but for now this is not the case. I pray that when it is the case, our robot overlords will be merciful.

I believe Sacré & séquentiel is important because francophone interest in American comics exists despite a dearth of francophone literature on the subject.

Continue reading Sacré & Séquentiel: The New, French-Language “Sacred and Sequential”

Brian Cronin on “That Time the Greek Gods Fought Jesus”

Since there may be little immediate scholarly value to this, Sacred and Sequential offers the following without comment (so we’ll use CBR‘s Brian Cronin’s comments from last year on The Godyssey):

The comic opens with Avengelyne having a premonition that Zeus and the Greek gods are upset with Christianity since no one worships the Greek gods any more.

Now do note – this is a DREAM. This did not ACTUALLY happen in the comic. I suspect that that was something that occurred to the creators after the fact, as it seems kind of out of place as “just” a dream, but to be fair, they clearly DO state in the comic that it is a dream. However, as a premonition it is on point as Zeus IS pissed and it is up to Avengelyne and Glory to stop this war between the Greek gods and the angels of heaven before things went too nuts.

…ok, one comment: In 2013, this property was optioned for a movie development.

We now return to incisive, scholarly analysis.

Comics Alternative Podcast Features Roundtable Discussion on Religion and Comics

Religion-PanelistsOn Monday, the Comics Alternative podcast hosted a “special roundtable” discussion featuring S&S’s own A. David Lewis, Elizabeth Coody, and Jeff Brackett on the subject of religion and comics. One-half of the show’s “2 Guys with PhDs,” Derek Royal, led the animated conversation, spanning all manner of engaging topics:

The subjects that come up during the discussion range from superheroes and myths, manifestations of the afterlife, adaptations of religious texts, biographies of religious leaders, expressions of heaven and hell, the crossroads of faith and ethnicity, and parodic (even heretical) representations of religious figures, doctrines, and practices.

At times on the panel the discussants clash or come at books from different angles — for example, Jeff and David disagree on the usefulness of Craig Thompson’s Habibi and Derek pushes back on the “religiousness” of such comics as MausA Contract with God, and Persepolis — but the talk is always lively and insightful. Among the many texts they reference are Neil Gaiman’s Sandman series, Mike Carey’s Lucifer, Justin Green’s Binky Brown Meets the Holy Virgin Mary, Robert Crumb’s The Book of Genesis Illustrated, Sean Murphy’s Punk Rock Jesus, Mark Waid’s Kingdom Come, Mark Millar’s American Jesus, and Craig Thompson’s Blankets. They even discuss comics as religious propaganda, such as what you’ll find in the Spire comics published by Archie during the 1970s and the ever-present Chick tracts.

A panel from Spire Comics’s Christian-themed ARCHIE.

As Royal noted, there was plenty more to be said, so, based on their audience’s response, a follow-up discussion could well be in the works!

Listen to the episode either on the Comics Alternative website, downloaded to your personal device, or via iTunes.

Palestine Square Explores “The Role of Comics in the Palestinian Narrative”

Cartoonist Naji al-Ali’s Handala, “the quintessential mark of Palestine solidarity.”

The Institute for the Palestine Studies’ blog Palestine Square recently featured coverage by writer Khelil Bouarrouj entitled, “The Role of Comics in the Palestinian Narrative.” In it, Bouarrouj considers the impact of works including Joe Sacco’s PalestineLeila Abdelrazaq‘s Bawaddi, Harvey Pekar and JT Waldman’s Not the Israel My Parents Promised Me, and Palestinian-American Marguerite Dabaie‘s Hookah Girl, among others.

Read more here.

Comics and Religious Education in “Studies in Comics”

The latest issue of the Studies in Comics journal from UK-based publisher Intellect features an article by Rae Hancock entitled, “More Credo, Less Capes: Why and How We Should Use Comics in the Religious Education Classroom.” The abstract, copied below, promises for lively debate among related scholars; look for responses and further coverage to come.

Research into religion and comics is flourishing and has called attention to the various ways in which religion features across the medium. However, consideration has not yet been given to the role of comics with religious dimensions in the Religious Education (RE) classroom despite significant attention having been paid to their use in schools through subjects such as English. Nonetheless comics are being used outside the classroom to communicate religious ideas and references to the medium are beginning to appear on exam specifications with the intention that candidates engage with religious representations in the media and popular culture. As such, seeking ways to bring comics with religious dimensions into a subject that concerns itself with ‘learning about’ and ‘learning from’ religion allows comic scholarship the potential to be genuinely impactful. A compulsory subject without a strict, prescriptive curriculum, RE is at once accused of indoctrination and called upon to be at the forefront of the battle against extremism. This article presents an overview of the contemporary RE climate in English state secondary schools, then builds on the rationale of why we should use more comics in RE and suggests approaches to using selected comics. The examples considered are necessarily broader than those typically discussed by scholars as they are chosen based on their pedagogical appropriateness. Consideration is given to the theoretical and practical challenges facing the rationale and it is concluded that in order to continue to explore, refine and validate the usefulness of comics in RE the body of sources used needs to expand and become representative in its breadth. Further, continuing to examine why and how we should use comics in the classroom has the potential to deepen and improve the quality of RE and provide comics scholarship opportunities to examine practical applications of the medium.

Hancock, Rae. “More Credo, Less Capes: Why and How We Should Use Comics in the Religious Education Classroom.” Studies in Comics 6.1 (July 2015): 25-41. Print.