Category Archives: online

The Cthulhu Cosmology in Hellboy

Hellboy by Mike MignolaAround this time last year, S&S’s own David McConeghy penned a compelling piece for Sacred Matters on the integration and, arguably, augmentation of H.P. Lovecraft’s Cthulhu gods in the narrative structure of Mike Mignola’s Hellboy — the comics series, its spin-offs, and its cinematic adaptations.

McConeghy hails this aspect of the Hellboy franchise in saying:

[I]t is foremost a comic that embraces the gothic as Lovecraft did in the interwar years in New England. The comic delights in paranormal abilities that connect to worlds beyond our own. It celebrates the prophetic as a link to authentic religious pasts long forgotten. It satisfies our desire to live in a demon-haunted world but feel protected by honorable, if flawed, guardians.

Hellboy and Cthulhu
DeviantArt image by 007Alfredo

Part of Hellboy‘s success, he suggests, is Mignola’s employment of Rudolph Otto’s mysterium tremendum es fascinans, “the mystery that both repels and attracts us.” The titular hero of Hellboy is a product of that same dark mystery he both seeks to confront and defend us from: “Thank goodness for Hellboy,” acknowledges McConeghy, showing the fictional character’s engagement with a fictional religion as compelling stage for real-life religiosity.

Limited-Time Access to Routledge’s Comics & Religion Scholarship

Through the end of August, Routledge (a Taylor & Francis Group) is offering free access to a number of its works across all of Comics Studies. There is no apparent limit to the number of titles accessed for this “Comic Book and Graphic Novel – Free Access” promotion nor any requirement for creating a login or joining a membership.

Of particular interest to religion and comics scholars might be following:

‘Antisemitism Problem’ In Marvel Movies? No, but…

Over at ComicMix, writer Mindy Newell takes The Jewish Daily Forward to task for its piece, “Do Marvel Movies Have An Anti-Semitic Problem?” Newell minces no words, calling it “the dumbest article I’ve ever read on their site.”

magnetoThe Forward article by Susan Mohall seems to hinge on Magneto, identified in the movies and (most) comics as a Jewish Holocaust survivor, being a villain as well as the nefarious  HYDRA organization having its Nazi roots effaced. Newell quickly dismantles their Magneto argument and, in terms of HYDRA, goes on to say:

Oh, Susan. I guess you never saw Captain America: The Winter Soldier and you never have watched Marvel’s Agents of S.H.I.E.L.D. HYDRA evolved, my dear. It’s gotten smarter, its adapted, it’s gotten smoother – just as our own rat-fuckers learned from Watergate – but it is certainly is still fascist, and it’s certainly not “shy[ing] away from its Nazi roots.”

For what it’s worth, Hal Jordan’s partial Jewish heritage was never featured in the Green Lantern movie, and Ben Grimm’s Jewish background has never been noted in any Fantastic Four movie. Then again, neither has Bruce Wayne’s potential tie to the Christian Sir Gawain of Grail Legend or, say, Colossus of the X-Men’s atheistic Communist roots.

Perhaps the issue that Mohell misconstrued was less some form of antisemitism in these superhero films but, instead, a compulsion towards secularizing their characters? (Even Thor, a “god,” isn’t worshiped…)

Is television’s Matt Murdock (aka Daredevil) the first of these cinematic characters we’ve seen seek spiritual help from a real-world religious institution?

DD-Church

Talking with Charles Schneeflock Snow on SORDID CITY BLUES

Since 2003, Charles Schneeflock Snow has been writing and drawing Sordid City Blues, which chronicles the lives of young urban adults faced with difficult questions of relationships and faith. Sacred and Sequential met with Mr. Snow in a comfortable corner of the Internet to discuss his work and his recent resumption of the series after a five-year hiatus.

Sacred and Sequential:  Thanks for talking with us, Charles. Let’s start with the most straightforward question: What motivated you to write Sordid City Blues?

Charles Schneeflock Snow: It’s an obsession. I worry about sex and religion a lot (both by themselves and in combination). Drawing comics is the main way I cope with things that worry me, so here we are.

S&S: What kind of response to your work do you get (or expect to get) from readers who identify as Christians? How might this response be said to differ from that of other audiences

Snow: Well, I know some Christians who like the comic, and identify with the characters’ lives. Which doesn’t differ too much from the response of more secular readers, honestly. But SCB doesn’t have much penetration into Christian culture – there’s a long list of doctrinal and moral prerequisites you need for that that I could never live up to.

Which is fine. I’d never want SCB to be a “Christian” comic. Christian is a fine noun, but a terrible adjective.

From SORDID CITY BLUES Continue reading Talking with Charles Schneeflock Snow on SORDID CITY BLUES

Asher J. Klassen Discusses Comics, Semiotics, and Islam – Draws Superhero Afterlife

One of S&S’s founding members Asher J. Klassen gave the following lecture this week at Durham University’s Theology and Religion Department.

In this lecture I tackle first and foremost the matter of censorship, both in the lecture hall and as it pertains to depictions of Muhammad in modern media. I look at the prophet in animation and then in comics, before moving on to discuss some of the visual functions of the comics medium and connecting visual abstraction as presented by McCloud to identity as defined by religious symbols. After a brief comparison of the idea of bodily representation in Christianity and Islam I close with some thoughts on the human drive as meaning-making, cultural animals and the role of censorship as we create our history.

(The audio for the recording is a little quiet, so turn up your speakers if need be; it begins around 1:30.)

Klassen also collaborated with another S&S founding member, A. David Lewis, on an eight-page comics version of Lewis’s book American Comics, Literary Theory, and Religion: The Superhero Afterlife as “The Superhero Afterlife (Abridged)” for the Sacred Matters web magazine of public scholarship.

The Superhero Afterlife (Abridged) - page 1
Opening page from “The Superhero Afterlife (Abridged)” at Sacred Matters. Words by A. David Lewis, Art by Asher J. Klassen.

Read the full comic here.