Teaching Gospel Texts and Mimesis with Superhero Stories

John W. Fadden, Ph.D.[The following entry is written by John Fadden, PhD., an adjunct lecturer across Western New York and frequent contributor to the Society of Biblical Literature. It is presented here with his permission.]

I teach an undergraduate introduction to the New Testament course that is mostly filled with students taking the course to fulfill requirements of the college’s core curriculum. I assume most students do not have a background in the cultural contexts of the writers of the New Testament, nor that most students have any connection to, or have read the New Testament. Yet, I also expect that because the New Testament is the “Bible,” students, including non-Christians, have certain expectations about the Gospels as historical documents that provide accurate portrayals of Jesus’s life. Most of the students have never thought about the literary practices in the cultural context that would have influenced the gospel writers.

In the spring semester, I added a new activity to the course in hopes of pushing students to think about the Gospels as imitating the classical epics by introducing them to Dennis MacDonald’s mimetic theory. While a lot of MacDonald’s scholarship is beyond the undergraduate non-major reading level, his Mythologizing Jesus: From Jewish Teacher to Epic Hero (Rowman & Littlefield, 2005) provides a popular audience access to his scholarship. Since I assumed that my students have a limited background in the classics (and no knowledge of Greek), I wanted to come up with a way to have them engage with MacDonald’s ideas, but using stories familiar to their own cultural settings from the superhero genre. The initial goal was for students to imitate a superhero scene to create a pericope about Jesus. To add a degree of difficulty (and to fit within the course’s core curriculum requirements) students also had to make it fit into the first century context (so no saving an airplane from crashing). The course also has a public speaking / presentation requirement, so the student’s final creation was delivered in front of their classmates.

JESSICA JONES: "AKA Smile"The activity required multiple engagements with the topic. First, I assigned the students read parts of MacDonald’s book to introduce them to his theory. I also asked students to pick a superhero story from a movie, TV show, or comic book that they could write in a 10-15 verse story (suggesting students think about MacDonald’s work as they chose it). In the next class session, we discussed the reading from MacDonald. I demonstrated how they might imitate their contemporary superhero story when writing a story about Jesus using the concluding scene from Jessica Jones season 1, episode 12 as an example. (I figured it was old enough I wouldn’t be guilty of spoilers, but I discovered few students had watched it; so I might recommend adding a few minutes into the class to show a clip of whatever story you are imitating in your demonstration.) I also showed them how the imitator might leave clues for her audience to be able to recognize the source story (for example, playing with a notable name like Kilgrave could signal to those familiar with Jessica Jones that there was a connection). I gave the students a week to write their imitation of a superhero story as a pericope about Jesus.

Continue reading Teaching Gospel Texts and Mimesis with Superhero Stories

CFP: Religion and the Marvel Universe (9/15/18)

Editor: Gregory Stevenson (gstevenson@rc.edu)

Theology and Pop Culture is currently seeking contributions for a potential edited volume from Rowman and Littlefield on the intersection of theology and the Marvel Universe. Essays may focus on comic books/graphic novels, film, and television/streaming series. Essays should be written for academics, but avoid “jargon” to be accessible for the layperson.

MARVEL logo

Potential ideas include but are not limited to:

Greek mythology and the Marvel superhero; Catholicism and the character of Daredevil; Ms. Marvel and the rise of the Muslim superhero; Ghost Rider and the deal with the devil; Spider-Man and moral theology; Luke Cage and liberation theology; Black Panther and African theology; Iron Fist and the conflict between capitalism and spiritualism; violence and redemption in The Punisher; religious tolerance and intolerance in The X-Men; the depiction of cults in Marvel’s Runaways; Dr. Strange and the conflict between faith and science; christology in Marvel; Iron Man and Tony Stark’s quest for redemption; Marvel’s cosmic beings; Thor and Norse theology; Captain America and the role of faith; apocalyptic themes in Marvel stories; Cloak and Dagger and the metaphor of light and darkness (this list could go on indefinitely so feel free to propose any relevant topic)

Submission Guidelines:

  1. Please submit an abstract between 300-700 words with CV or resumé, including a list of any previous publications, to Gregory Stevenson at gstevenson@rc.edu by September 15, 2018
  2. Submission deadline for drafts of accepted papers is April 30, 2019 (if a particular essay needs to incorporate the fourth Avengers film, a later submission date can be negotiated)

Return of Islamophobic Cartoon Contest

Here we go again…

“The Prophet Muhammad is pictured in this Islamic manuscript dated 1539–43. It comes from a royal miniature made to illustrate a copy of the poems of the celebrated Persian Nizami, and depicts the prophet’s ascension to heaven on the horse Buraq.” (Copyright © The British Library Board; courtesy of WBUR)

From Reuters:

The Freedom Party of Dutch anti-Islam politician Geert Wilders will hold a competition of cartoons depicting the Prophet Mohammad, it said on Tuesday. The party said the plan to hold the competition in the party’s secure offices in Dutch Parliament had been approved by the Dutch Counter-terrorism Agency NCTV.

If this sounds familiar, it should. There was a “Draw Mohammed” Contest in Garland, TX in 2015, won by Bosch Fawstin who will serve as a judge for this new event. Wilders served as a keynote speaker at that 2015 contest, and two gunmen, claimed by ISIS, were killed on site.

This competition is being billed as a “free speech event,” not  unlike the Danish newspaper Jyllands-Posten‘s own 2005 showcase of Mohammed cartoons, similarly resulting in violence.

On a related note, Twitter recently suspended Fawstin’s account following his posting opposing on Marvel Entertainment’s plans for Muslim superheroine Ms. Marvel. This was the latest in his “multiple or repeat violations of the Twitter Rules.”

Bosch Fawstin's tweet

Islamic culture has a history of respectful images of Mohammed, though that does not in any way seem the goal of Fawstin and Wilders’s insulting affair.

UPDATE: Two Universities Vie for Largest Collection of Indian Comics in U.S.

Illinois vs. MichiganLast October, Sacred and Sequential reported that the the largest collection of Indian comics in the U.S. resides at the University of Illinois under the care of curator Mara Thacker. In December, however, we received the following e-mail from Professor Siddharth Chandra, excerpted below:

Subject: Largest collection of Indian comics in a US library
Message Body:
Dear Mr. David,

A small correction to your article titled “THE U.S.’S LARGEST INDIAN COMICS COLLECTION IN IS IN ILLINOIS.” ‘Illinois’ should read ‘Michigan.’ For more information, please see https://magic.msu.edu/search~S39?/dIndian+comic+books%2C+strips%2C+etc./dindian+comic+books+strips+etc/-3%2C-1%2C0%2CB/exact&FF=dindian+comic+books+strips+etc&1%2C1763%2C .

This link leads to a partial listing of Indian comics in Michigan State University’s comic arts collection. There are hundreds of additional volumes in the process of being cataloged.

Kind regards,
Siddharth Chandra

After following the link and reading its contents, I caught the gist of his message and responded:

Actually, you’re saying that the premise of the article is incorrect — that the largest one ISN’T in Illinois, as stated by the article, but at MSU?

And his reply was polite and clear (as were his bona fides):

Yes, I believe so.

Siddharth Chandra
Director, Asian Studies Center
Professor of Economics, James Madison College and
Professor (by courtesy), Department of Epidemiology and Biostatistics
Michigan State University

Continue reading UPDATE: Two Universities Vie for Largest Collection of Indian Comics in U.S.

Superman as Jewish Assimilation, not Exodus

The talented Noah Berlatsky recently wrote a piece for The Forward where he challenges many of the semi-religious attributes assigned to Superman — in particular, the closeness of the hero’s link to Judaism.

The truth is that Siegel and Shuster, like many Jewish Americans in the 1930s, had little investment in Jewish religion or in Jewish history. Brad Ricca wrote in “Superboys: The Amazing Adventures of Jerry Siegel and Joe Shuster” that Siegel and Shuster were both disinterested in the Jewish religion and culture of their “old world parents.”

This reading of Superman aligns much more closely with scholarship produced just two years ago by Martin Lund, entitled Re-Constructing the Man of Steel, than it does the work of The Forward‘s own Larry Tye or that of Harry Brod’s 2012 book Is Superman Jewish?

In many ways, Bertlatsky’s article counters another recent piece by The Forward, that of Marcy Oster’s “Making Superman Jewish Again” in February. This increasing intensity and variety of takes on the Man of Steel strongly suggest that his religious symbolism, particularly with a Jewish lens, remains a hot site of debate.

 

 

@ the intersection of religion and comics: Graphic Religion