The First Muslim Superhero

[With the apparent close of the IslamiCommentary site from the Duke University Islamic Studies Center (DISC), Sacred and Sequential is cataloging a number of their articles pertinent to comics and Islam for continued online access. The following, if altered at all, has been edited only minimally for clarity and/or ]

Kismet Seventy Years Later: Recognizing the First Genuine Muslim Superhero

by A. DAVID LEWIS for ISLAMiCommentary on MARCH 20, 2014: 

Kismet may not be the first Muslim superhero, but he may be the first worthy of that title. Some buffoonish characters preceded him, and other orientalist caricatures appeared on earlier comics pages, but without either superpowers or other key elements of the genre. This month, on the seventieth anniversary of his first appearance, it’s a fitting time to reintroduce and recognize Kismet, “Man of Fate;” the first genuine Muslim superhero.

The superhero as a genre found its first real traction, famously, in the pages of Action Comics #1; the 1938 debut of Superman. Like Kismet, the character of Superman had his antecedents, prior masked men and super-powered protagonists either on comics pages, on radio, or in print pulp novels. But it wasn’t until Superman crystallized the conventions of a) being driven by a quest for justice and defense of the weak; b) demonstrating abilities beyond that of a normal person; and c) having a costume and secret identity; that the superhero genre became clearly recognized.

1944 — six years after Superman — wave upon wave of superhero characters, with varying success, had been pouring into audience’s hands.

Continue reading The First Muslim Superhero

Reader Recommendations: Archangels Comics, Volumes 1-3

Continuing in our coverage of works brought to our attention by readers, we received this recommendation from Brent Metzger:

[…] I (an adult man) requested Archangels comics for Christmas and received the 9 volume set.  They’re interesting in that they depict in sequential art what Frank Peretti sought to depict with words alone in his groundbreaking This Present Darkness and Piercing the Darkness novels: that, as in Ephesians 6:12, there is a battle going on with spiritual forces of evil in the heavenly realms.

We cannot see with out earthly eyes the demons seeking to tempt and discourage us, nor the angels who at times protect us from those attacks, and from ourselves.

[…] They were seemingly geared toward a younger audience, but were the rare piece to combine superhero type action with faith, prayer and Christian principles.

We’d like to thank Brent and welcome people to check out his site, www.HolyAction.com.

Returning to the Religious Studies Project’s Comics Warning

A year or two ago, S&S Founding Members David McConeghy and A. David Lewis sat down to discuss the latter’s new book, American Comics, Literary Theory, and Religion: The Superhero Afterlife for The Religious Studies Project. Since that time, The Superhero Afterlife went on to be nominated for an Eisner Award, and McConeghy has switched American coasts, moving from West to East.

However, at around the same time, RSP’s own David G. Robertson penned this incisive response to the subject of their conversation, which, in light of 2017 politics and recent criticism of mainstream superhero storylines, now feels remarkably prescient.

Therefore it is vitally important for a non-essentialist and non-elitist study of religion that we consider comics in their cultural and historical context. Without that, structural analyses may be merely repeating hegemonic categories and structures of power.

Robertson is a Co-founding Editor of the Religious Studies Project and a committee member of the British Association for the Study of Religion. For his full CV, see his Academia page or personal blog here.

Hugh Jackman Is Not a Mohel

Maybe, perhaps this is sort of a religion & comics topic? That is, it could be…in a way.

Universal Press International (UPI) is carrying the story of Hugh Jackman’s likeness as the superhero comics and film character Wolverine being used to advertise a circumcision service in the Philippines.

“The advertisement went viral,” reports UPI,  “after a photo was shared online by Joey deVilla, a blogger and self-styled ‘rock accordionist.'”

The service, which does not seem to carry the spiritual and covenantal authority of a Jewish bris per se, costs just $28 USD.

The odd and likely unauthorized advertising campaign was joked about on this past week’s episode of Wait, Wait, Don’t Tell Me from NPR.

Whether Wolverine, with his regenerative healing factor, could convert to Judaism and be the recipient of a bris is an entirely different, though amusing, question.

Bible Graphic Novel Is a Christian Book of the Year Finalist

The Evangelical Christian Publishers Association has named The Kingstone Bible as a Christian Book of the Year Finalist in the Young People’s Literature category.The Kingstone Bible

Art Aryis, Kingstone Comics Founder, says, “I believe the graphic novel format—done well–is the perfect vehicle to reach a generation that, for the most part, does not read the Bible.” Their adaptation of the sacred text includes work by several dozen professional creators including mainstream artists from Marvel Comics and DC Comics titles like Captain AmericaAquamanSupermanSpider-Man, and more.

The company also touted that The Kingstone Bible is “the longest non-serialized graphic novel ever published” at 2,090 pages. (Presumably, series like Lone Wolf & Cub or Dave Sim’s Cerebus fall under the “serialized” header.)

Winner for all of ECPA’s categories will be announced May 2 in Colorado Springs.

@ the intersection of religion and comics: Graphic Religion