Questioning Frank Miller and Superman’s “Jewish Essence”

I have been asked to comment on a short piece that was published yesterday on CBR.com, which I have to agree calls out for a response and fact-check. The piece announced that Frank Miller has said in an New York Comic-Con interview that he wants to “tackle one of the oldest, but oft overlooked, origin stories in the entire industry: Superman’s Jewish heritage.” The article then goes on to make a few questionable claims, many of which I have seen before, in my research on Superman and the so-called “Jewish-comics connection.” This notion holds that Superman, and – depending on who you read – the superhero genre, the US comics industry, or the comics medium itself, were created by Jews and has a sort of “Jewish essence.”

Let us return to the quoted line about Superman’s supposed, but “oft overlooked” origin story and Jewish heritage. It does not take much effort to poke a hole in the claim that this is an overlooked topic. In the past ten years alone, numerous books have been published that have this issue as their central focus: in 2006, Rabbi Simcha Weinstein published Up, Up, and Oy Vey! How Jewish History, Culture, and Values Shaped the Comic Book Superhero; in 2007, comics writer and writing teacher Danny Fingeroth published Disguised as Clark Kent: Jews, Comics, and the Creation of the Superhero; in 2008 comedian and journalist Arie Kaplan published From Krakow to Krypton: Jews and Comic Books; and in 2012 masculinity scholar Harry Brod published Superman is Jewish? How Comic Book Superheroes Came to Serve Truth Justice, and the Jewish-American Way. On top of this, there are several other books about Superman or Jews and comics more generally, as well as innumerable newspaper and online articles, in which claims about Superman’s “Jewish origins” are similarly made. Let us also not forget that what Miller proposes has already been done; in 1998, for Superman’s 60th anniversary, DC put out a series of Man of Steel comic books in which the superhero traveled back in time to face the Nazis and in which Siegel and Shuster’s Jewish heritage got a nod.

As entertaining and interesting reading as the books and articles mentioned may provide, they suffer from a lack of support for their arguments, and rely mostly on recycling the same tropes and claims in a sort of internal feedback loop. This has led to a collection of common assumptions about what Superman “is,” based on nothing but the fact that his creators were Jewish. But once you shine a light on these claims, they start to fall apart. I will not go into a more general charting of these books or their claims here – for that, you can check out my forthcoming book on the subject or this post on my old, now-defunct blog – but will focus only on the latest article.

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Grammy Winner, Now Christian Comics Creator

God's Silver SoldiersThe local Mesquite News out of Mesquite, TX reported last month on a local-boy-done-good personality now putting his attention to Christian-inspired comics. Grammy-winner Art Greenhaw of the Light Crust Doughboys is trying his hand at comic books as editor and co-writer of God’s Silver Soldiers from Truthmonger Press.

Described on its site as “a creative entity whose mission is to bring the much-needed messages of mortality and spirituality to today’s youth through the medium of comicbooks [sic],” Truthmonger Press has premiered the God’s Silver Soldiers “visual novel” at the 2016 Comic-Con International. The series, described in its marketing materials as “approved by the Christian Comics Code Alliance,” features a band of do-gooders united by faith: “When God’s Silver Soldiers come together, the Holy Armor of God increases their strength a hundred fold, and they are able to call forth the powers given to these Christian Super Heroes  by The Almighty.”

Greenhaw, who counts “Stan Lee and artists Jack Kirby, Steve Ditko, Al Hartley, John Buscema, Ben Dunn and Kurt Schaffenberger” among his inspirations, also produced a companion soundtrack to the series.  He told Mesquite News that, if he wasn’t writing music or comics, he would likely be “reading, studying the greatest works of religion and philosophy and picking back up karate/martial arts.”

Jordanian Activist Assassinated Before Cartoon Blasphemy Trial

Activists hold a picture of Jordanian writer Nahed Hattar on Wednesday at his funeral [Muhammad Hamed/Reuters]
Activists hold a picture of Jordanian writer Nahed Hattar on Wednesday at his funeral [Muhammad Hamed/Reuters]

The Comic Book Legal Defense Fund (CBLDF) has reported on a story that may otherwise have eluded American media: as Al-Jazeera and The Guardian both reported in late September, Jordanian left-wing writer and activist Nahed Hattar was assassinated while entering a courthouse to face blasphemy charges for a cartoon he posted on Facebook.

In the comic, God is depicted as taking orders from an ISIL agent cozily ensconced with two woman in Paradise. Hattar, part of Jordan’s 4% Christian minority, had intended the cartoon to criticize ISIL’s hypocrisy, but he subsequently deleted the offending piece and offered an apology in the face of Jordanian outrage.

[Full image available below.]

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“I can’t give my superhero a Muslim name.”

What is the purpose, one might ask, of creating, for instance, Muslim superheroes, much less studying them? Last year, The Muslim Vibe produced an article that gives one such answer to that question: “Erasure of the Muslim Superhero: The Effect of Islamophobia on Muslim Children.”

The lesson need not be limited to Muslim children alone — any oppressed or vilified group will face the same backlash, particularly among its most impressionable and least powerful subgroup, children. But, at this moment in American and world politics, that effect falls particularly hard on Muslim children. Therefore, as the author Afrah Mansour relates, there is a duty “an educator to make the younger generation value themselves” alongside others.

http://themuslimvibe.com/muslim-lifestyle-matters/parents/erasure-of-the-muslim-superhero/

Muslim Superheroes: Comics, Islam, and Representation comes out in Spring 2017 from the ILEX Foundation.

Nebraska Meet-Up for Superheroes & Religion

“A surprising look at the deep religious motifs of superheroes,” bills the poster for First-Plymouth Church’s upcoming event, Superman, Batman, and Jesus.  And while the locale might be curious — Brewsky’s Food & Spirits in Lincoln, NE — its premier presenter, S&S’s own Prof. Dan Clanton, is a key authority on the topic, himself a co-editor of Understanding Religion and Popular Culture from Routledge in 2012. 14305281_10154534213848094_5880995712971770888_o

The event will also feature music by local talent Andrea Von Kampen. (Does she perform any music on the combined theme of religion and superheroics?)

@ the intersection of religion and comics: Graphic Religion