CFP: Religion and Doctor Who: Time, Space, and Faith

From Dr. James F. McGrath, the man behind Religion and Science Fiction:

Doctor Who is a cultural phenomenon in both the UK and the United States, continuing to go from strength-to-strength as it approaches its 50th anniversary in 2013. Over the show’s long history on television—and in various spin-off TV shows, audio adventures, novels and comic books—religion and religious themes have consistently been a subject of interest. In recent years the show has attracted everything from Church of England conferences dedicated to its use in preaching to guest appearances by Richard Dawkins. Abstracts of 300 words are therefore invited for a proposed edited collection examining Religion and Doctor Who. The collection will consider the subject in its widest sense, examining portrayals of religion on the show, in spin-off media (including TV, audio, internet, comic books and video games); fan cultures, and the use of Doctor Who in religious debates. The book will be aimed at popular-academic readership. Possible subjects include, but are not limited to:

• Religious or mythic themes (salvation, return, ritual etc.) in the series.
• Critiques and deconstructions of religion in Doctor Who.
• The use of Doctor Who to chart British religious history from 1963 to the present.
• Death and the afterlife in Doctor Who and Torchwood.
• The Doctor as a Christ figure.
• Portrayals of non-Christian religion in the classic series or BBC revival.
• Fan response to “religious” episodes.
• The use of Doctor Who by religious organisations.
• Religion in audio adventures, comic books and video games.
• Canonicity and Doctor Who as a surrogate religion.
• Doctor Who as a tool for theological reflection.
• Using Doctor Who to teach Religious Studies.

Abstracts should be 300 words in length, and include a short biography of the author. Abstracts should be sent to DrWhoReligion@gmail.com. Deadline for receipt of abstracts: 20th April 2012.

Doctor Who

The full Call For Papers can be found at Patheos.com.

The 99, Captain Israel, Habibi, Holy Terror, and More…

It has been a positively massive few weeks in the topic of Religion & Comics, particularly in terms of Islam and Western culture, and a bevvy of links and stories bear highlighting, even en mass. In no particular order:

CFP: On the Scholarship of Religion and Comics

Rao has seen this on the Comics Scholars List, the UPenn CFP site, and the H-Net site, but here it is from organizer A. David Lewis’s own blog:

Call for Papers: On the Scholarship of Religion and Comic Books
Popular Culture Association / American Culture Association
April 11-14, 2012
Boston, MA

Area: Religion & Culture, Comics & Comic Art (joint session)
Moderator: A. David Lewis (Boston University)

Overview:  The last half-dozen years have seen an explosion in U.S. publications addressing the intersection of religion and comics, but little has been said on the body of work taken as a whole. Outside of individual reviews, rarely are these works discussed in terms of their applications, their intertextuality, their audiences, their shortcomings, or the new questions they raise. This panel is to act as a forum addressing either portions of these works, entire books, their shared space, or the next steps to which they may all lead. In addition to the print publications recommended below, this panel also invites reflections on some of the websites and blogs conducting similar work, also listed:

Books: Superheroes: Religion and Popular Culture (2005), Up, Up, and Oy Vey (2006), Our Gods Wear Spandex (2007), Superheroes and Gods: A Comparative Study from Babylonia to Batman (2007), Disguised as Clark Kent (2007), Holy Superheroes! Revised and Expanded Edition (2008), From Krakow to Krypton: Jews and Comic Books (2008), The Jewish Graphic Novel: Critical Approaches (2008), Jews and American Comics (2008), India’s Immortal Comic Books: Gods, Kings, and Other Heroes (2009), Graven Images: Religion in Comic Books and Graphic Novels (2010), Supergods (2011), The Seven Spiritual Laws of the Superhero (2011), Do the Gods Wear Capes? (2011)

Online: ComicAttack.net “Comics Are My Religion” columns, ComicBookBin.com “Religion and Comics” columns, By Rao! Religion and Religion siteJewish ComicsblogFaith in Four Colors site

Other English-language, U.S. market pieces of scholarship may be considered, but the focus should remain on already-produced analysis, not on works-in-progress nor on the comics themselves. Submissions should be thoughtful reflections on how these pieces function, what opportunities they present, where they may fail, and what has been overlooked.

Abstracts of 100-250 words, a C.V., and brief bio are due by December 1 to ADL at bu dot edu for consideration.

Additional titles for consideration might include Jeffrey John Kripal’s Authors of the Impossible: The Paranormal and the Sacred or interviews by The Gnostic with Alan Moore, perhaps.

Gene Luen Yang on Comics and Christianity

Cover for American Born Chinese by Gene Luen YangA portion of American Born Chinese author Gene Luen Yang’s mediation on why comics and Christianity don’t — but likely should — mix can be found at the Sojourners blog site. (The full writing requires a membership and login to Sojourners.) In the piece, he’s reminded of how the local comics shop disturbed his mother’s sensibilities yet should have, in his view, been a natural ally to the Christian faith:

She didn’t know it at the time, but my mother had just played out in microcosm the long, antagonistic relationship between Christianity and comics. Since its inception in 1933, the modern comic book has drawn the ire of preachers, priests, and parents. Committees and associations have been formed on both sides of the struggle.

This animosity is curious, especially since Christianity and comic books have a lot in common. Christianity was established by a small band of poor Jewish men who loved stories. Almost 2,000 years ago, Peter, James, John, and their peers in the neighborhoods of Galilee gathered around a wonder-worker who taught by telling stories. From this community grew the largest religion on earth.

Yang recently released his latest graphic novel Level Up about his adolescence and young adulthood as an Asian American, also printed by American Born Chinese publisher First Second. For a separate discussion with Yang about Christian themes in that earlier book (and whether or not they replaced originally Buddhist content), see this interview with the Kartika Review.

@ the intersection of religion and comics: Graphic Religion