NPR Covers Grant Morrison’s SUPERGODS

Grant MorrisonAll Things Considered on National Public Radio, spoke with comics writer Grant Morrison recently both to learn about his personal background with superheroes as well as the content of his new book Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human. 

Morrison argues that, unlike movies and TV shows with slow production schedules, comic books speak to the moment in a more immediate way. “A comic is on the streets within three months of it being created,” Morrison says. “There’s very little editorial influence, so you see an artist’s work directly on the page.”

And, he says, comic books provide valuable role models for a new generation of superheroes. “When new superheroes appear on the planet — real superheroes — they’ll have all this material to study and figure out, ‘What are we supposed to be and do?'”

The book jacket adds, “these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations.”

Download the entirety of the 8-minute interview: NPR Interview with Grant Morrison

Rao Wants to Know: Gail Simone Makes History/Herstory…for Religion?

Gail Simone at SDCC 2009
Image provided by the Journal of the Lincoln Heights Literary Society Miscellanea and Ephemeron

In addition to being a civil union, many consider marriage to also be a religious union and rite. So, Rao has chosen to relay this report from Christopher Holden at The Mary Sue blog though it may not be explicitly religious (or, at least, not yet):

I am fairly confident that there has never been a polygamous, same sex marriage in mainstream comics before […] Regardless of whether this marriage remains canon or not, Gail Simone made a bold move in writing it into her last issue, and deserves admiration for including it because it was not done for shock value and stays true to the characters she had developed.

Get all the details on Scandal, Knockout, and Liana over at The Mary Sue, but, lest one is skeptical, here’s an image from the storyline in question.

Scandal, Knockout, and Liana from Secret Six #36
Image from Secret Six #36, art by Jim Calafiore

Rao wants to know: Does this rare union pertain to religion, or is it exclusively a comics milestone/footnote?

Rao Reads the Blogs

The blogosphere frequently has a great deal to offer on comics & religion. Here’s a taste of what’s currently being covered at some other notable sites:

The Comic Book Bin‘s “Religion and Comics” section has two new offerings from two of their contributing voices. First, Hevre St-Louis examines the 14 Stations of the Cross as sequential art: “My point in arguing this simple premise about the 14 stations and comic art is of course to show how omnipresent and an important part of world culture the comic book is.” Then, Andy Frisk remains with Christianity as he looks at the character of Thor, naturally tied to pagan Nordic religions, as a “warrior Christ,” specifically highlighting the God of Thunder’s portrayal by Mark Millar in Ultimates 2 as the epitome of this vision.

The Apocalypse Plan

ComicAttack.net‘s “Comics Are My Religion” offers insights from Jeff Jackson, this month focusing on (mis)portayals of Revelation in comics. Fortunately, one new book, The Apocalypse Plan by Rafael Nieves and Dan Dougherty, seems to get it right, at least in a creative manner. “Nieves’s book is not a literal retelling of Revelation, although it does wrestle with the literal sensibilities that most interpreters give it.”

Steve Bergson’s Jewish Comics blog provides an extensive and impressive account of the 2011 San Diego Comic-Con (SDCC) from a Hebraic perspective. Bergson delivers details not only on the panels that relate to Judaism but also on high-profile creators with backgrounds or works pertaining to the faith.

Finally, Faith in Four Colors both gives its Swedish recommendation of Graven Images: Religion in Comic Books and Graphic Novels (also covered by Jackson last month) and puts out a call for people’s personal experiences with Chick Tracts. Information on how to respond is available at the blog site.

Rao Wants to Know: Why No Zoroastrianism?

There are more hints of Zoroastrianism in U.S. culture than one might initially recognize. Brands such as Jaguar, Tetley Tea, and LandRover are all owned by a company long run by a Zoroastrian family. The haunting, familiar music from 2001: A Space Odyssey is named for the Zoroastrian prophet (as is Nietzche’s book that inspired the title); so is the music of Queen, with Zoroastrian front man Freddy Mercury (formerly Farrokh Bulsara).

So, asks Hervé St-Louis at the Comic Book Bin, where are all the Zoroastrianisms in American comics?

I’m quite amazed that the comic book world, known for its propensity to create stories based on any religion or myth has not yet plunged into the world of Zoroastrianism to add some texture to its characters.

While Indian comics may fare better at addressing the religion, St-Louis can offer a scant few examples in comics for American markets. “Zoroastrianism does not seem to have been explored in comic books to the same extent as other religions in character origins and mythologies.”

The question remains: Why not?

@ the intersection of religion and comics: Graphic Religion