Comics Academe: How To Write a Comics Dissertation

[The following piece was originally published for the Women Write About Comics website, and it is reposted here with the author’s permission.]
Couverture de l'ouvrage de Mathieu Tillet, "Dissertation sur la cause qui corrompt et noircit les grains de blé dans les épis, et sur les moyens de prévenir ces accidens," 1755. Wikimedia Commons.
Out there, somewhere, is a woman who writes about comics who wants to turn that writing to a comics dissertation or thesis, or at least I sure hope there is! The field is wide open and ready for more. For the uninitiated, a dissertation or thesis is the long essay or project that serves as the capstone for most advanced degrees (especially doctoral degrees) in the sciences and humanities. There is some degree of coursework or class-type work in most programs, but this is the project that determines whether or not you earn the degree. The nature and form of these projects has been under debate in recent years, but the actual production of some object that concludes the PhD remains a constant. The internet has worked alongside the fast-moving and collaborative nature of digital scholarship in general to jolt the usually slow-to-change academic establishment. By making wide varieties of information more available to a wider public and expanding the possibilities of collaboration, digital forms of scholarship have disturbed the idea of authority. This idea of authority is what allows some group to grant a degree to someone else. You can see why this sort of debate can be disturbing!

What I’ll talk about most here is writing about comics in a dissertation as opposed to writing a dissertation as a comic. Be warned: the minute you start pairing talk of “comics” and “dissertation” people are going to assume you’re writing a comic. For some of you, this will be a fantastic way to go. If your committee has trouble imagining your dissertation as a comic, you might point out Nick Sousanis’s recently published comics dissertation Unflattening. His process bringing the dissertation into comics form is lovingly documented all over the internet by academics and comics people alike, such as herehere, and here. Such a precedent is wonderful to present to a wary committee. If their hesitation comes from fears that you won’t be taken seriously, it’s nice to have a publication from Harvard University Press to point out. Of course, you should listen to your committee, more on them in a moment.

Continue reading Comics Academe: How To Write a Comics Dissertation

Discussing the First Muslim Superhero’s Return to Comics

Cover to Volume 1 of KISMET: MAN OF FATEComics scholar and Sacred & Sequential founder A. David Lewis opens up about both the process and the motivation behind his new comic book Kismet, Man of Fate – Volume 1: Boston StrongThe series, which is a modern-day update of the 1940s Muslim superhero, had been delivered in online installments for much of the past year, but it now comes to comic shops in print for the first time this week.

Derek McCaw of Fanboy Planet conducted the new interview with Lewis, who had this to say about Golden Age superheroes like Kismet or the Green Turtle:

[F]or the more liberal-leaning comics creators of the Golden Age, I think there was a fascination with other cultures, even if it was only at the surface level. […] I doubt there was any real thought given to the real-life practitioners or inheritors of this lore, just as I think there was little deference given to Muslims or Asians with Kismet and Green Turtle, respectively. There may be something complimentary in comics creators seeing the potential for this non-Western material to fuel their stories, but it was largely Orientalist and filled with Anglo-centrist presumptuousness.

Lewis teams with artist Noel Tuazon, Rob Croonenborghs, Taylor Esposito of Ghost Glyph Studios, and Kel Nuttal in bringing Kismet back to publication. Publisher A Wave Blue World (AWBW) also secured Heathen‘s Natasha Alterici for the cover art and The Tempest‘s Laila Alawa for the Foreword, with book and logo design by Nicola Black.

It’s Kismet For A. David Lewis

Review – Toscano and Hartmann-Dow’s The Amazing Adventures of the Afterbirth of Jesus

The Amazing Adventures of the Afterbirth of Jesus is a subversive tale by Biblical scholar and Quaker Peterson Toscano and artist Joey Hartmann-Dow. A slim volume, over twenty-nine pages it tells the story of Hagar, the placenta born alongside Jesus in the stable. Key moments in Jesus’ ministry unfold as we expect in the background while the reader is given glimpses of Hagar’s influence. Born sentient, once used, the afterbirth is ignored and rejected and she consciously names herself Hagar, after a fellow rejected woman of the Old Testament. She follows Jesus carefully and is desperate for acknowledgement and inclusion. It is through her attention-seeking pranks that Jesus’ ministry develops. She causes coins to go missing in the home of a widow, sheep to escape their pen, wedding wine to be spilt, blindness and leprosy to afflict those who flock to Jesus and ultimately, the death of Lazarus. However, cleaning up her mess is not enough and it is only through eventually welcoming her back into his life can Jesus complete his purpose on Earth.

Toscana is a regular at the UK-based Greenbelt Festival speaking on the hidden LGBTQ+ voices of the Bible and it was here that I heard him mention Afterbirth. How could a comics scholar miss an opportunity to pick up a copy? Continue reading Review – Toscano and Hartmann-Dow’s The Amazing Adventures of the Afterbirth of Jesus

UPDATE: Islamophobic Cartoon Contest Canceled

Caricature of Geert Wilders from http://www.karikaturen-online.nl/en/homepage-en/In June, Sacred and Sequential shared reporting from Reuters that the Freedom Party of the Dutch government had announced a new “free-speech event” centered around creating illustrations of the Islamic Prophet Mohammed. Led by politician Geert Wilders, the contest was to be judged by the 2015 Garland, Texas “Draw Mohammed” contest winner, Bosch Fawstin.

Following a peaceful protest march in Islamabad in late August, reports the Associated Press,  the planned contest has been canceled. Wilders is quoted by The Telegraph as saying, “To avoid the risk of victims of Islamic violence, I have decided to not let the cartoon contest go ahead.” InfoWars deemphasizes the impact of the 10,000-strong peaceful march, focusing instead on a video death threat Wilders received.

Fawstin’s Twitter account remains suspended.

Jews and Comics in Canada this October

Beth Tzedec Comics Event

The Beth Tzedec Congregation in Toronto, Ontario has announced its late October showcase of connections between the comic book industry and the Jewish people. Of particular note is the involvement, along with co-curator Ron Kasman, of Steven Bergson, long-time S&S friend and contributor. Steve runs the Jewish Comics blog and is the force behind The Jewish Comics Anthology.

Details can be found here and admission is free, though reservations are required for opening night, October 23rd.

O Canada!

@ the intersection of religion and comics: Graphic Religion